Readers of Wouk will delight in accompanying him through his triumphs and grief.



Gently meandering work about writing and remembrance by a beloved American sage and author.

A kind of tongue-in-cheek anti-autobiography, this slender memoir by Wouk (The Lawgiver, 2012, etc.) divides his writing life and influences since he was 12 years old in 1927 (“the year ‘Lucky’ Lindbergh flew over the ocean nonstop to Paris”) between “Sailor,” or how his itinerant real life insinuated itself in his work, and “Fiddler,” the spiritual journey of his later years, as he plunged into Judaism and the saga of Israel. His longtime wife and literary agent (since deceased) used to read everything that he wrote and pounced on his idea of writing his autobiography by reminding him skeptically, “you’re not that interesting a person.” Wouk’s roots as a comedy writer pop up throughout the book. Having grown up in a Bronx Jewish household to Yiddish-speaking parents—his steam-laundry boss Papa regaled the family Friday nights with his readings of Shalom Aleichem—Wouk was steeped early on in folk humor and resolved to be a gagman, hired by “gag czar” David Freedman and then Fred Allen. By 1943, he was scrawling the first page of his first novel, Aurora Dawn (1947), aboard a minesweeper and became a rather accidental novelist, or so he writes about his advance for The Caine Mutiny (1951)—he was “bemused by this windfall of bucks.” Indeed, the author can barely grasp the effort that certainly charged his monumental works of fiction, starting with “the first novel about American Jewry,” Marjorie Morningstar, which put him on the cover of Time. Wouk was first moved to write about the Holocaust by reading Raul Hilberg; from there, he plunged into the “main task,” aka the World War II books. His “Fiddler” years led him to the autobiographical Inside, Outside (1985) and to years of intensive military research for The Hope (1993) and The Glory (1994)—“it’s expected of you,” he was told.

Readers of Wouk will delight in accompanying him through his triumphs and grief.

Pub Date: Jan. 5, 2016

ISBN: 978-1-5011-2854-7

Page Count: 160

Publisher: Simon & Schuster

Review Posted Online: Dec. 9, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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