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THE WILL TO LIVE ON

THIS IS OUR HERITAGE

The celebrated author's post-Holocaust living will. What can Pulitzer Prize-winning Wouk add after thirteen novels, four plays, and more? This valedictory, darker than The Hope (1993), includes various wars and remembrances. When the winds of war settled, the Holocaust and Israel provided Jews with "the energy of guilt and the energy of pride. Both are waning . . . [and Jewry is now] running on empty." The destruction of European Jewry is compared to the epic loss of the Second Temple, and the Rabin assassination put in terms of a biblical analogy. Wouk, noting that the commandant of Auschwitz predicted that Western Jews would assimilate and seal Hitler's victory, worries about Jewry's cultural mutiny. The grandchildren of Marjorie Morningstar are demographic icicles. The hope, if not the glory, of a Jewish future may have to be qualitative rather than quantitative. Wouk, urging cultural survival through cultural literacy, devotes his large central section to a brisk but skillful summary of the Jewish classics: all the books of the Hebrew Bible, plus the talmud, the kabbalah, and Yiddish culture. His anecdotal evidence suggests that even secular Jews might enjoy his daily mental workout on the monkey bars of talmudic law. Wouk sees learning and living by Judaism's classics as Jewry's only hope for living on in the diaspora. Despite his dire predictions, his testament—enlivened by memories of Rabin, Ben-Gurion, Bellow, Agnon, and his family patriarchs—is more optimistic than ominous. The first and perhaps the last learned American-Jewish novelist begins his Afterword, "So my task ends." Like Moses the Lawgiver in his book-length farewell address in Deuteronomy, Wouk at 84 leaves us with a recap of Torah wisdom and the encouragement to choose survival. Here is the lion of Judah in winter.

Pub Date: March 1, 2000

ISBN: 0-06-019608-4

Page Count: 416

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2000

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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