Dishy Hollywood fiction at its finest from an author who traffics in the truth behind tabloid headlines.
This irresistible debut novel from an accomplished celebrity-memoir ghostwriter reads like a behind-the-scenes look at the marriage of a certain former Hollywood it couple.
TomKat, is that you? Lizzie Pepper, the disarmingly charming fictional narrator of this engaging faux memoir, is ready to reveal the truth about her tabloid-fodder relationship with her now-ex-husband, mega-movie star Rob Mars. (The author, Liftin, has collaborated on the memoirs of many real celebrities, including Miley Cyrus and Tori Spelling.) A wholesome, young, Midwest-raised actress, best known for playing a girl-next-door type on TV, Lizzie takes a meeting with Mars, who, in addition to being hugely famous and the teen crush of Lizzie’s best friend from home, is also deeply involved in a creepy cultlike religion with a lot of money and Hollywood pull. Lizzie thinks she’s auditioning for Rob’s next film, but she’s actually trying out for a bigger role—the actor’s girlfriend and, eventually, his wife and the mother of his children. Lizzie’s feelings for Rob are real, but how authentic his are for her is a continual topic of speculation in the press and ultimately an open question for Lizzie herself, despite (or perhaps partly because of) moments like the one in which Rob dramatically declares, in front of a phalanx of paparazzi, that Lizzie is “the love of my life”—an incident that goes viral, becoming a YouTube meme and providing talk show joke fodder. “They called him a manufactured brand, a robot attempting to play the role of a man in love,” Lizzie recalls. If these characters and this story don’t sound familiar to you, you miraculously missed out on the world’s collective fascination with the six-year marriage of Tom Cruise and Katie Holmes—not to mention its dramatic end. But no matter, Liftin’s compelling, highly readable novel—with its sympathetic narrator, suspenseful plot pivots, snappy pace, and dishy details about Hollywood’s inner workings—is likely to engage even readers who remain blissfully unaware of the tabloid characters who may or may not have inspired it.
Dishy Hollywood fiction at its finest from an author who traffics in the truth behind tabloid headlines.Pub Date: July 21, 2015
ISBN: 978-0-670-01641-9
Page Count: 352
Publisher: Viking
Review Posted Online: April 29, 2015
Kirkus Reviews Issue: May 15, 2015
BOOK REVIEW
BOOK REVIEW
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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