by Hilma Wolitzer ‧ RELEASE DATE: Aug. 31, 2021
Completing the trajectory of her early triumphs with a pandemic masterpiece, Wolitzer takes our breath away.
Thirteen timeless stories of what goes on between men and women, grounded in an optimism that is no stranger to sorrow.
Ninety-one-year-old Wolitzer, author of five novels and mother of Meg, collects for the first time her stories from the 1960s and '70s, many first published in Esquire, Ms., and elsewhere, and adds a brand new one from 2020. A foreword by Elizabeth Strout alerts us to the particular joys of Wolitzer's prose style and storytelling—how she "leaves enough spaces between the lines" for us to "enter the story with our own experiences and therefore make it our own." After the crystalline title story zips us straight back to the mad housewife era and a second introduces the centrality of female desire in Wolitzer's work, there's a run of seven narrated by Paulette, or Paulie as her husband, Howard, calls her. Full of the pleasures of intimacy, these are unusually happy stories about a complicated marriage. No matter that it begins with an unplanned pregnancy; weathers infidelity, an extended visit from Howard's first wife, and the appearance of a sex maniac in the building ("about time," thinks Paulie); and tackles her insomnia and his depression (usually responsive to a day spent driving around to visit model homes). "Why am I so happy?" wonders Paulie. "I know the same bad things Howard knows." Spoiled as we are by the tonic power of Paulie's worldview, it's an adjustment to embrace three grimmer stories that follow. But wait—in an amazing grand finale, Wolitzer brings Paulie and Howard back a half-century later, reckoning with the usual dirty tricks of old age. "Howard, who had once been so gorgeous," is now "grizzled and paunchy and gray," but Paulie is still Paulie: Where she used to check her husband's side of the bed upon waking for "a promising rise in the bedclothes," she now rejoices in the simple evidence of breath. It seemed like the world “would all go on forever in that exquisitely boring and beautiful way. But of course it wouldn't." And along comes the novel coronavirus to do its worst.Completing the trajectory of her early triumphs with a pandemic masterpiece, Wolitzer takes our breath away.
Pub Date: Aug. 31, 2021
Page Count: 208
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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by Barbara Kingsolver ‧ RELEASE DATE: Oct. 18, 2022
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Awards & Accolades
Best Books Of 2022
New York Times Bestseller
Pulitzer Prize Winner
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Pub Date: Oct. 18, 2022
Page Count: 560
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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by Nathan Hill ‧ RELEASE DATE: Sept. 26, 2023
A warmhearted satire that chronicles our “perfectly, stupidly, dreadfully elegant” accommodations to life.
A bittersweet novel of love gained, lost, and regained over the course of decades.
“They stare across the alley, into dark apartments, and they don’t know it, but they’re staring at each other.” It’s not an outtake from Hitchcock’s Rear Window but instead the wistful longings of two lonely people. Jack Baker, newly arrived in Chicago from Kansas in the 1990s, is a talented photographer who bristles when practical-minded people ask him what his work is about—to say nothing of why he works with Polaroids, which, a hipster friend reminds him, “are mass-produced, instant, cheap, impermanent.” Yes, and that’s the point, for though Jack comes from the windblown prairie, he’s pretty avant-garde. Elizabeth Augustine is a quadruple major at DePaul, “five majors if you count theater, which I have no talent for but enjoy nonetheless,” and exactly the woman Jack hoped he would meet. Life proceeds: That arty hipster becomes a real estate mogul who plants them in a development very much outside their price range until Elizabeth pulls down the big bucks from the psychological research firm that gives Hill’s latest its simple title. “Basically they were a watchdog group, a subcontractor for the FDA and FTC, sniffing out bullshit,” Hill writes, but Elizabeth, scraping by while Jack pulls down pennies as an adjunct professor, discovers that there’s hay to be made creating bullshit rather than exposing it—making airplane seats narrower, for instance, and then selling once normal-sized seats at a premium. Hill romps through our soufflélike culture with a nice sendup of academic literature and broad jabs at memes ranging from organic food (“one-hundred-percent bioavailable”) to progressive parenting, open marriage, and cult behavior (“Elizabeth knew...that the thing that most effectively strengthened and deepened delusions was being surrounded by people who shared the same delusions”) while delivering a story that suggests that while love may not conquer all, it makes a good start.A warmhearted satire that chronicles our “perfectly, stupidly, dreadfully elegant” accommodations to life.
Pub Date: Sept. 26, 2023
Page Count: 624
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
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