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THE SACRED LAND

As much fun as its predecessors: a simple adventure, good pacing, a light touch, and a genuine feel for the period.

Turtletaub (The Gryphon’s Skull, 2002, etc.) continues the adventures of Menedemos and Sostratos, the ancient Greeks who here journey into the unknown reaches of Phoenicia on a business trip that, as usual, turns out to involve more than buying and selling.

Menedemos and Sostratos, as earlier readers will recall, are cousins from the island of Rhodes (sons of the wealthy merchant brothers Philodemos and Lysistratos) who serve as advance men for the family business, skippering their ship Aphrodite into the farthest-flung ports to peddle and acquire the rarest goods they can find for the best markets. Menedemos, the sailor, is as daring and aggressive as his scholarly cousin Sostratos cool and shrewd. So how is it, this time around, that they agreed to take a cargo of olive oil to Phoenicia (a bit like bringing bananas to Costa Rica)? As a favor to an in-law, basically—but they don’t expect the trip to be a wash. Sostratos has heard that a region of Phoenicia deep inland (Ioudaia) produces the best balsam in the world and can be sold for a fortune in the perfume markets of Greece. Everyone warns the two that the Ioudaians are tough customers, but, as Sostratos sees it, a merchant’s job is to turn aggravation into silver. He also, not coincidentally, wants very badly to observe the customs of these remote and little-known people. He sets off while Menedemos remains in port, where he tries to find a customer for his useless cargoes in those spare moments when he’s not seducing other men’s wives. Though as wily as Odysseus when on their home turf, Menedemos and Sostratos now begin to fear that the barbarians may get the better of them.

As much fun as its predecessors: a simple adventure, good pacing, a light touch, and a genuine feel for the period.

Pub Date: Dec. 1, 2003

ISBN: 0-765-30037-0

Page Count: 384

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2003

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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