by Holly A. Bell ‧ RELEASE DATE: N/A
A thoughtfully conceived but frustratingly overcomplicated tale of cyberespionage.
The CIA recruits a college professor to track down a mysterious computer hacker leaking classified information to the public in this thriller.
Highly sensitive material purloined from National Security Agency computers keeps making its way into the news, much to the embarrassment of the nations targeted. American intelligence agencies are at a loss to uncover any clues and dub the perpetrator “The Executive,” since the kinds of secrets he pilfers are generally restricted to a high level of security clearance. Professor Kate Adams is asked to help the CIA find the cyberthief responsible, which leads her to clandestinely infiltrate the radical group Programmers for Peace and Freedom. She feigns interest in the development of technology for covertly maintaining financial accounts overseas and is invited to reside and work at a commune the organization maintains for its members. The group is an offshoot of another that has its origins in communist agitation during the 1960s but developed into radical anarchists, funded by the illicit trade of drugs and sex on the dark web. Meanwhile, an intramural agency battle over the case brews, pitting the NSA director, Adm. Doug Reynolds, against rival investigative departments, a tug of war that only intensifies after a computer expert reporting directly to Reynolds is murdered. As Adams closes in on the Executive, she is forced to painfully relive her traumatic past working for the CIA, memories that visit her in fits of panic. Bell (Trading Salvos, 2016) weaves an intricate tapestry of intrigue, intelligently plumbing the bleak depths of international espionage. Furthermore, this sequel is a timely meditation on the morality of large-scale whistleblowing on government, an unpardonable act of treason to some and a courageous show of heroism to others. What keeps readers immersed in the story, though, is the emotional depth of the protagonist; following the attack on the World Trade Center, she was inspired to join the military and became the only female soldier attached to a Delta Force Unit. Readers are slowly, tantalizingly issued details about her painful past—they learn she was kidnapped and tortured, that her husband died, that she was betrayed, and that she was reluctantly drawn into intelligence work and seems resentful of her permanent status as a pliable pawn. In addition, Bell paints a disturbing picture of the competitive dysfunctionality of American intelligence agencies as well as the murky amorality of the internet’s shadiest corners. But while Adams’ complexity grounds the novel, the plot’s convolution undermines it; it becomes increasingly difficult to follow, with far too much laboriously condensed into under 300 pages. Instead of ratcheting up the suspense, the tale’s entanglements produce a feeling of narrative languor, slowing what should be a furious march to a climactic conclusion to a belabored crawl. Thankfully, Bell’s prose is lucid, and she produces some memorable exchanges between Adams and the CIA psychologist who functions as her primary contact to the agency. Early on, he tells her: “You’ve had to build some walls around yourself, I get it, but don’t forget to put in a few windows so you can see beyond them.”
A thoughtfully conceived but frustratingly overcomplicated tale of cyberespionage.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: April 14, 2018
Review Program: Kirkus Indie
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BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
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