by Holly A. Bell ‧ RELEASE DATE: N/A
A thoughtfully conceived but frustratingly overcomplicated tale of cyberespionage.
The CIA recruits a college professor to track down a mysterious computer hacker leaking classified information to the public in this thriller.
Highly sensitive material purloined from National Security Agency computers keeps making its way into the news, much to the embarrassment of the nations targeted. American intelligence agencies are at a loss to uncover any clues and dub the perpetrator “The Executive,” since the kinds of secrets he pilfers are generally restricted to a high level of security clearance. Professor Kate Adams is asked to help the CIA find the cyberthief responsible, which leads her to clandestinely infiltrate the radical group Programmers for Peace and Freedom. She feigns interest in the development of technology for covertly maintaining financial accounts overseas and is invited to reside and work at a commune the organization maintains for its members. The group is an offshoot of another that has its origins in communist agitation during the 1960s but developed into radical anarchists, funded by the illicit trade of drugs and sex on the dark web. Meanwhile, an intramural agency battle over the case brews, pitting the NSA director, Adm. Doug Reynolds, against rival investigative departments, a tug of war that only intensifies after a computer expert reporting directly to Reynolds is murdered. As Adams closes in on the Executive, she is forced to painfully relive her traumatic past working for the CIA, memories that visit her in fits of panic. Bell (Trading Salvos, 2016) weaves an intricate tapestry of intrigue, intelligently plumbing the bleak depths of international espionage. Furthermore, this sequel is a timely meditation on the morality of large-scale whistleblowing on government, an unpardonable act of treason to some and a courageous show of heroism to others. What keeps readers immersed in the story, though, is the emotional depth of the protagonist; following the attack on the World Trade Center, she was inspired to join the military and became the only female soldier attached to a Delta Force Unit. Readers are slowly, tantalizingly issued details about her painful past—they learn she was kidnapped and tortured, that her husband died, that she was betrayed, and that she was reluctantly drawn into intelligence work and seems resentful of her permanent status as a pliable pawn. In addition, Bell paints a disturbing picture of the competitive dysfunctionality of American intelligence agencies as well as the murky amorality of the internet’s shadiest corners. But while Adams’ complexity grounds the novel, the plot’s convolution undermines it; it becomes increasingly difficult to follow, with far too much laboriously condensed into under 300 pages. Instead of ratcheting up the suspense, the tale’s entanglements produce a feeling of narrative languor, slowing what should be a furious march to a climactic conclusion to a belabored crawl. Thankfully, Bell’s prose is lucid, and she produces some memorable exchanges between Adams and the CIA psychologist who functions as her primary contact to the agency. Early on, he tells her: “You’ve had to build some walls around yourself, I get it, but don’t forget to put in a few windows so you can see beyond them.”
A thoughtfully conceived but frustratingly overcomplicated tale of cyberespionage.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: April 14, 2018
Review Program: Kirkus Indie
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BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
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140
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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