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CALLS BEYOND OUR HEARING

UNLOCKING THE SECRETS OF ANIMAL VOICES

Suffering from a concussion and hearing loss in the aftermath of a serious fall from her horse, Smithsonian and National Geographic contributor Menino (Mr. Darwin's Fox and My Coyote, 2008, etc.) was drawn to explore the fragility of perception.

Reminded of a jazz workshop during which an improvisational singer was forced to compete with the loud sounds of a mockingbird, the author decided to track down the latest research on the vocal communication of a range of animals, from the croak of the lowly frog to bird songs and elephant calls. She hoped to find answers to “two big questions about the bird and human singer…Why sing? and What does the song mean?” She traveled to Panama, where behavioral ecologists were studying frog signals in an effort to determine how female frogs pick mates. Menino explains that a female's apparently simple response is deceptive; it “is actually an elaborately wrought transaction involving the endocrine system, larynx and tympanic membranes, nerves, and brain.” In Puerto Rico, the author connected with researchers studying duets sung by birds. Bird songs appear to have many different functions, from attracting a mate to territorial defense. While males do most of the singing, as in human music, bird songs contain alternating, repetitive phrases and patterns. The male takes the lead and the female responds. However, writes Menino, the parallel with jazz improvisation stops here. If the female's response is not right, the male will attack her. The duets appear to function as recognition signals and a kind of “social glue.” This is borne out in the complex social and vocal interactions of dolphins, elephants and primates, as well as in the role of music and language in human society. A charming meditation on the world of sound.  

 

Pub Date: April 10, 2012

ISBN: 978-0-312-58757-4

Page Count: 288

Publisher: St. Martin's

Review Posted Online: Jan. 23, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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LETTERS FROM AN ASTROPHYSICIST

A media-savvy scientist cleans out his desk.

Tyson (Astrophysics for People in a Hurry, 2017, etc.) receives a great deal of mail, and this slim volume collects his responses and other scraps of writing.

The prolific science commentator and bestselling author, an astrophysicist at the American Museum of Natural History, delivers few surprises and much admirable commentary. Readers may suspect that most of these letters date from the author’s earlier years when, a newly minted celebrity, he still thrilled that many of his audience were pouring out their hearts. Consequently, unlike more hardened colleagues, he sought to address their concerns. As years passed, suspecting that many had no interest in tapping his expertise or entering into an intelligent give and take, he undoubtedly made greater use of the waste basket. Tyson eschews pure fan letters, but many of these selections are full of compliments as a prelude to asking advice, pointing out mistakes, proclaiming opposing beliefs, or denouncing him. Readers will also encounter some earnest op-ed pieces and his eyewitness account of 9/11. “I consider myself emotionally strong,” he writes. “What I bore witness to, however, was especially upsetting, with indelible images of horror that will not soon leave my mind.” To crackpots, he gently repeats facts that almost everyone except crackpots accept. Those who have seen ghosts, dead relatives, and Bigfoot learn that eyewitness accounts are often unreliable. Tyson points out that extraordinary claims require extraordinary evidence, so confirmation that a light in the sky represents an alien spacecraft requires more than a photograph. Again and again he defends “science,” and his criteria—observation, repeatable experiments, honest discourse, peer review—are not controversial but will remain easy for zealots to dismiss. Among the instances of “hate mail” and “science deniers,” the author also discusses philosophy, parenting, and schooling.

A media-savvy scientist cleans out his desk.

Pub Date: Oct. 8, 2019

ISBN: 978-1-324-00331-1

Page Count: 272

Publisher: Norton

Review Posted Online: Sept. 1, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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HORIZON

Exemplary writing about the world and a welcome gift to readers.

Distinguished natural history writer and explorer Lopez (Outside, 2014, etc.) builds a winning memoir around books, voyages, and biological and anthropological observations.

“Traveling, despite the technological innovations that have brought cultural homogenization to much of the world, helps the curious and attentive itinerant understand how deep the notion goes that one place is never actually like another.” So writes the author, who has made a long career of visiting remote venues such as Antarctica, Greenland, and the lesser known of the Galápagos Islands. From these travels he has extracted truths about the world, such as the fact that places differ as widely as the people who live in them. Even when traveling with scientists from his own culture, Lopez finds differences of perception. On an Arctic island called Skraeling, for instance, he observes that if he and the biologists he is walking with were to encounter a grizzly feeding on a caribou, he would focus on the bear, the scientists on the whole gestalt of bear, caribou, environment; if a native of the place were along, the story would deepen beyond the immediate event, for those who possess Indigenous ways of knowledge, “unlike me…felt no immediate need to resolve it into meaning.” The author’s chapter on talismans—objects taken from his travels, such as “a fist-size piece of raven-black dolerite”—is among the best things he has written. But there are plentiful gems throughout the looping narrative, its episodes constructed from adventures over eight decades: trying to work out a bit of science as a teenager while huddled under the Ponte Vecchio after just having seen Botticelli’s Venus; admiring a swimmer as a septuagenarian while remembering the John Steinbeck whom he’d met as a schoolboy; gazing into the surf over many years’ worth of trips to Cape Foulweather, an Oregon headland named by Capt. James Cook, of whom he writes, achingly, “we no longer seem to be sailing in a time of fixed stars, of accurate chronometers, and of reliable routes.”

Exemplary writing about the world and a welcome gift to readers.

Pub Date: March 20, 2019

ISBN: 978-0-394-58582-6

Page Count: 592

Publisher: Knopf

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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