This concluding volume has the feel of literary durability about it, even more than the much-ballyhooed Rocket Boys (1998).
Hickam’s third installment in his bestselling memoir (The Coalwood Way, 2000, etc.) about coal country West Virginia is, pleasingly, more leathery than the sentimental earlier material as he attains his college years and must return to Coalwood under difficult circumstances.
Hickam has gone off to Virginia Polytech to pursue his dreams of rocket science but is required to return to Coalwood, his hometown that lived and, unfortunately, breathed coal. It is only for the summer, but Hickman’s none too happy to be back in Coalwood, despite his obvious affection for the place. His father is under a cloud for a deadly mining mishap; his mother has moved down to Myrtle Beach, South Carolina, in what looks like a potential marital split; and Hickam must take a job in the mines to pay for an auto accident, which means he must join the union, to his parents’ horror. His father pretty much turns him out, but there are bright lines to the story as well: a track-laying contest, a girl named Rita, and the story behind his father’s reticence in talking about the night of the accident that killed his friend. Hickam’s dulcet voice is a soothing counterpoint to the familial and social woes of Coalwood, paternalistic company town or not, and despite the steel bosses and the secrets of the tight-knit town and the brutality of life in the mine—something made very real here by Hickam’s being right down there—the tale unfolds like a bedtime story. That things turn out for the best makes this an appealing capstone. Hickam ends with a short chapter on his life after leaving Coalwood that is way too rushed—how jarring “Pleiku” and “Dak To” sound in this context, or learning that Hickam worked only at the fringes of rocket science.
This concluding volume has the feel of literary durability about it, even more than the much-ballyhooed Rocket Boys (1998).Pub Date: Oct. 9, 2001
ISBN: 0-385-33522-9
Page Count: 354
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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