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THE CHILD POET

A fine introduction to a writer who deserves to be better known to English-language readers.

Proust meets magical realism in this searching, lyrical memoir by the Mexican poet and conservationist.

“I am still alive in a fresh wound,” wrote fellow poet Octavio Paz. Aridjis (An Angel Speaks: Selected Poems, 2015, etc.) counts his own birth as a poet in a wound suffered when he was 10 years old, when a shotgun he was aiming at passing birds misfired: “Invaded by ammunition, engulfed in the smell of gunpowder, my blood hot and my right hand bleeding," he writes, "I wasn’t aware of my state until I tried to take a step and a feeling of being torn apart kept me from moving.” In this soft-spoken account, the accident transforms Aridjis from boisterous lad to a bookish solitary who turns to poetry. It would not be a modernist Latin American literary work without at least a moment reminiscent of García Márquez, and there are many here, as when a suitor rejected by his aunt takes up the habit of sitting in the town square holding a protective umbrella, “though the sky was clear.” Aridjis’ mother is central to the story, from the moment of birth through his traumatized childhood, and she could not have asked for a more affectionate portrait: “To remember her was to have her always in my own past, in the memory of my being, united, inseparably, to my self.” We also see the growing importance of the natural world in the author’s life and work: the sight of a drop of water sliding off a leaf is enough to distinguish the wounded boy from ordinary people. “I was moved by things that did not interest them,” he recalls. Readers wish only that Aridjis revealed more of his process of writing, for the passages of poetry among the prose are lovely incantations: “I / made my poem / and I recited it trembling.”

A fine introduction to a writer who deserves to be better known to English-language readers.

Pub Date: Feb. 16, 2016

ISBN: 978-0-914671-40-4

Page Count: 156

Publisher: Archipelago

Review Posted Online: Dec. 5, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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