More than a few too many characters, subplots, and themes muffle the impact of this grandiose historical picaresque by the Mexican author of the previously translated and essentially similar 1492 (1991). Aridjis's narrative is divided into 27 ``visions'' seen, and relayed to the reader, by Alfonso de LÇon, a monk whose dedication to his vocation as an illuminator of manuscripts does not protect him from yielding frequently to carnal desires or from the threat of a bloody reunion with his malevolent twin brother, Abd Allah of Cordova, a powerful warrior member of the Saracen armies whom Alfonso and his brethren devoutly believe ``will annihilate all Christendom before the year 1000 comes to an end.'' The novel begins in a confusing welter of unrelated scenes, then settles for a time into a chronological account of the twins' birth (to a Moorish Caliph's concubine), their upbringing and education, and the separate paths their warring temperaments set them on. Then we're swiftly cast back to a kaleidoscopic landscape delineated with apocalyptic imagery and numbingly explicit descriptions of sexual acts and physical violence, and populated by assorted minstrels, pilgrims, hermaphrodites, and such laboriously fabricated grotesques as Isidoro, the Messiah of the Poor, a kind of Marxist Lord of Misrule reputed to possess ``a celestial letter signed by the Lord Jesus, which...authenticated him as the true Son of God.'' We feel the book straining to impress its readers (the addition of a nine-page Bibliography seems, shall we say, a trifle pretentious?). Eventually, though, the conflict between the brothers resurfaces, then climaxes in battle, finally determining whether Alfonso indeed is ``the Lord of the Last Days'' who will bind up the Evil One, thus preserving the Christian faith for another thousand years. The seed of a powerful fiction here becomes drenched early on by melodramatic fustian, and never grows into anything remotely resembling a coherent novel.
Pub Date: Sept. 15, 1995
ISBN: 0-688-14342-3
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1995
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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