A moving prose poem about what it means to be spiritual, sexual and human.

THE BISHOP’S DAUGHTER

A MEMOIR

A powerful memoir of life with an accomplished but secretly tortured father.

Born to wealth and privilege, a graduate of the country’s finest schools and a decorated veteran of Guadalcanal, Paul Moore, the author’s father, chose the life of a priest in the Episcopal Church. From postings in Jersey City, Indianapolis and Washington, D.C., he became a leading voice for social justice and rose to minor fame as the Bishop of New York. For his oldest daughter, he remained an oddly remote yet dazzling figure. Only in the last years of his life did she learn of his secret homosexuality, a discovery that explained so much about him, her frequently depressed, occasionally violent mother and the author herself. Poet and playwright Moore (Writing/The New School and Columbia Univ.; Red Shoes: Poems, 2005, etc.), an attentive, sensitive narrator, performs an intensive, sometimes painful genealogical dig on her parents’ backgrounds, their courtship and marriage, their work together in the church and their private lives, including many interviews with friends and male and female lovers of her father. She’s equally forthright about herself, charting her shifting comprehension of the meaning of her family life, of the larger social movements her parents helped promote and of her own artistic development and troubled sexual progress. In the end she remains too admiring of her father, ascribing to him a kind of martyrdom, conflating (as he apparently did) his spirituality with his sexuality—perhaps a forgivable assessment given its harrowing cost. In 1977 Ms. assigned the still-young Moore to interview her father, then under attack for his ordination of Ellen Marie Barrett, an acknowledged lesbian. The magazine rejected the piece as “too general.” No such objection here.

A moving prose poem about what it means to be spiritual, sexual and human.

Pub Date: May 1, 2008

ISBN: 978-0-393-05984-7

Page Count: 352

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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