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RUNNING FOR THE HILLS

GROWING UP ON MY MOTHER’S SHEEP FARM IN WALES

Generally uneven—at its best, this recalls Jill Ker Conway’s Road from Coorain; at its worst, a school theme paper.

Memories of family, single parenthood and sheep in the remote wilds of Wales.

In the first 150 pages of her memoir, Clare describes the courtship and marriage of his willful, endearing, frustrating parents. Though Jenny and Robert were journalists in London, she insisted on buying a farm in Wales for weekend getaways and, as the months rolled by, wanted to spend more and more time there. But the arrival of the children made it clear to Robert that they simply could not afford the second property. Eventually, Jenny had to choose, and went for the sheep and the Welsh landscape over her marriage. Clare’s descriptions of that landscape are evocative and simple: “In the cold the mountains look like clenched fists,” he writes. Remarkably evenhanded portraits of his parents present their flaws and foibles with generosity and sensitivity; without editorializing, the author offers lengthy quotations from Jenny and Robert’s letters and journals. He falters, however, when discussing his boyhood. Conversations with Jenny about the possibility that the farm is haunted are a bit too precious, as are transcribed “chats” with cuckoo birds: “ ‘Cuckoo,’ he shouted. ‘CUCKOO!’ I answered. ‘Cuck-coo?’ he replied. . . . ‘Cuckcoo,’ I affirmed.” Fortunately, the memoir comes back around to Jenny, who decided after a failed love affair to sell the farm. Clare renders the leave-taking beautifully. “ ‘Well, goodbye, little farm,’ Jenny said. . . . It sounded strange and unconvincing, as though neither she nor the place really believed she was leaving.”

Generally uneven—at its best, this recalls Jill Ker Conway’s Road from Coorain; at its worst, a school theme paper.

Pub Date: Aug. 29, 2006

ISBN: 0-7432-7427-X

Page Count: 288

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2006

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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