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WHO'S SORRY NOW?

Jacobson is often likened to Philip Roth, but there’s plenty of Isaac Bashevis Singer in his somewhat weary understanding of...

Another middle-age-angst–meets–sex-romp comedy from Jacobson (Man Booker Prize winner The Finkler Question, 2010, etc.), that great chronicler of modern rakery.

Originally published in Britain in 2002, before news of its author crossed the waters to these shores, Jacobson’s shaggy dog story is a little more descriptive and a little less conversational than his more recent work. Marvin Kreitman, South London’s luggage purveyor par excellence, is a picaresque lothario who just can’t help being who he is: He loves women unconditionally and unreasonably, so much so that besides the four women in his life—mother, wife (“When she wasn’t Oedipus she was Jocasta”), two daughters—he is desperately attempting to juggle relationships with five others. Added to this busy schedule, he keeps a standing lunch date each week with a school friend named Charlie who’s always been a bit of a schlimazel (“He drooped disconsolately, like a puppy who had grown too big for its owner and been thrown onto the streets”), even though he has a stable, apparently happy marriage of long standing and enjoys some success as the author of children’s books. Yet Charlie, like Kreitman (Jacobson uses the first name for the former, the last name for the latter, as if to suggest the differences in emotional age and worldliness), is vaguely dissatisfied, and he proposes an arrangement that surprises even the ever-scheming Kreitman. Before things can go too far, fate intervenes in the form of a schlemiel (“Not merely Man with No Qualities but Man with No Prospects of Qualities”) who complicates things dangerously, revealing Kreitman’s fixations as being the silly but eminently harmful things that they are. Things cannot help but end—well, if not badly, then in a little more disarray than when the tale began.

Jacobson is often likened to Philip Roth, but there’s plenty of Isaac Bashevis Singer in his somewhat weary understanding of the human condition. Fans won’t be disappointed.

Pub Date: July 23, 2013

ISBN: 978-1-60819-686-9

Page Count: 336

Publisher: Bloomsbury

Review Posted Online: July 6, 2013

Kirkus Reviews Issue: July 15, 2013

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LONESOME DOVE

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.

The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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