The command of tone and voice sustains tension until the very last page of a novel that will long resonate in the reader’s...

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A MEAL IN WINTER

A simple Holocaust story presents a complex moral equation.

The first work by this French author to be translated into English, this short novel from 2012 packs a punch. The narrator is apparently a German soldier stationed in Poland during a very cold winter of World War II. His camp’s main mission seems to be the extermination of Jews by capturing and shooting them. The narrator and his two comrades have no stomach for the killing, but their only recourse is to go searching for Jews in the countryside and bring them back instead. “We would rather do the hunting than the shootings,” he tells his base commander, a reservist like him, in the plainspoken, matter-of-fact diction that characterizes the narrative and adds to its chilling conclusion. “We told him we didn’t like the shootings: that doing it made us feel bad at the time and gave us bad dreams at night.” So the narrator and his two very different compatriots embark on a long, frigid search, and they in fact encounter a “Jew,” the first time this word is used, a third of the way into the novel. Despite a language barrier, they communicate that they are bringing him back to camp. Much of the second half of the novel finds the three soldiers and their captive in a deserted hovel where they find temporary refuge from the cold: “The house appeared from behind a row of trees. We didn’t need to talk about it. The decision was made by our stomachs and the icy sky.” They then face a number of other survival decisions: how to cook, eat, and stay warm. The intrusion of a Polish hunter from the countryside further complicates their situation. Though another language barrier presents itself, it is obvious that the Pole’s hatred of the Jew is more intense than anything the soldiers feel. As they spend time and share food together, the captors experience some subtle shifts. Over the course of “the strangest meal we ever had in Poland,” the narrator and his cohort wrestle with the morality of delivering their captive to camp.

The command of tone and voice sustains tension until the very last page of a novel that will long resonate in the reader’s conscience.

Pub Date: July 5, 2016

ISBN: 978-1-62097-173-4

Page Count: 144

Publisher: The New Press

Review Posted Online: April 13, 2016

Kirkus Reviews Issue: May 1, 2016

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Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

CILKA'S JOURNEY

In this follow-up to the widely read The Tattooist of Auschwitz (2018), a young concentration camp survivor is sentenced to 15 years’ hard labor in a Russian gulag.

The novel begins with the liberation of Auschwitz by Soviet troops in 1945. In the camp, 16-year-old Cecilia "Cilka" Klein—one of the Jewish prisoners introduced in Tattooist—was forced to become the mistress of two Nazi commandants. The Russians accuse her of collaborating—they also think she might be a spy—and send her to the Vorkuta Gulag in Siberia. There, another nightmarish scenario unfolds: Cilka, now 18, and the other women in her hut are routinely raped at night by criminal-class prisoners with special “privileges”; by day, the near-starving women haul coal from the local mines in frigid weather. The narrative is intercut with Cilka’s grim memories of Auschwitz as well as her happier recollections of life with her parents and sister before the war. At Vorkuta, her lot improves when she starts work as a nurse trainee at the camp hospital under the supervision of a sympathetic woman doctor who tries to protect her. Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. Though believing she is cursed, Cilka shows great courage and fortitude throughout: Indeed, her ability to endure trauma—as well her heroism in ministering to the sick and wounded—almost defies credulity. The novel is ostensibly based on a true story, but a central element in the book—Cilka’s sexual relationship with the SS officers—has been challenged by the Auschwitz Memorial Research Center and by the real Cilka’s stepson, who says it is false. As in Tattooist, the writing itself is workmanlike at best and often overwrought.

Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-26570-8

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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If nothing else, you have to giggle over how this novel’s namesake, who held vicious white supremacist opinions, must be...

LOVECRAFT COUNTRY

Some very nice, very smart African-Americans are plunged into netherworlds of malevolent sorcery in the waning days of Jim Crow—as if Jim Crow alone wasn’t enough of a curse to begin with.

In the northern U.S. of the mid-1950s, as depicted in this merrily macabre pastiche by Ruff (The Mirage, 2012, etc.), Driving While Black is an even more perilous proposition than it is now. Ask Atticus Turner, an African-American Korean War veteran and science-fiction buff, who is compelled to face an all-too-customary gauntlet of racist highway patrolmen and hostile white roadside hamlets en route from his South Side Chicago home to a remote Massachusetts village in search of his curmudgeonly father, Montrose, who was lured away by a young white “sharp dresser” driving a silver Cadillac with tinted windows. At least Atticus isn’t alone; his uncle George, who puts out annual editions of The Safe Negro Travel Guide, is splitting driving duties in his Packard station wagon “with inlaid birch trim and side paneling.” Also along for the ride is Atticus’ childhood friend Letitia Dandridge, another sci-fi fan, whose family lived in the same neighborhood as the Turners. It turns out this road trip is merely the beginning of a series of bizarre chimerical adventures ensnaring both the Turner and Dandridge clans in ancient rituals, arcane magical texts, alternate universes, and transmogrifying potions, all of which bears some resemblance to the supernatural visions of H.P. Lovecraft and other gothic dream makers of the past. Ruff’s ripping yarns often pile on contrivances and overextend the narratives in the grand manner of pulp storytelling, but the reinvented mythos here seems to have aroused in him a newfound empathy and engagement with his characters.

If nothing else, you have to giggle over how this novel’s namesake, who held vicious white supremacist opinions, must be doing triple axels in his grave at the way his imagination has been so impudently shaken and stirred.

Pub Date: Feb. 16, 2016

ISBN: 978-0-06-229206-3

Page Count: 432

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 4, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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