A fun but deeply flawed science-fiction reimagining of the 1955 Heinlein juvie classic Tunnel in the Sky.

HALF WAY HOME

Revisiting a popular science-fiction premise—colonists stranded on an unexplored planet—the latest from Howey is a survival story revolving around a group of young pioneers who are awakened from their amniotic vats to find their settlement in ruins and the majority of their fellow colonists dead.

For hundreds of years, Porter and the rest of his compatriots have traveled through space as blastocysts—fertilized eggs—en route to a distant world that scientists back on Earth presumed could be habitable. Once at their destination, the AI was supposed to evaluate the planet and deem it either viable or unviable. If viable, the AI would grow the 500 fertilized eggs in vats and educate each one with specific knowledge (in medicine, mechanics, agriculture, etc.) for 30 years before they would be birthed as adults. If unviable, the AI would simply destroy everything. Born 15 years too early, Porter (the colony’s psychologist) is awakened to screams as his home burns. After deeming the world viable, the AI has inexplicably begun the abort process. Barely escaping with his life—naked and clueless about the alien world he has stepped into—Porter and 58 other newly hatched humans must survive long enough to understand the AI’s brutal decisions. But as the teenagers attempt to build their new society, age-old human flaws threaten to destroy their chances of survival. Howey doesn’t offer up anything particularly original here: The worldbuilding is superficial at best and the storyline is formulaic and predictable. But the major issue is with the tone-deaf characterization. Porter, who has been genetically engineered to be gay, is described as feminine and weak. His sexuality—which has little to do with the main story—seems forced and unrealistic. Some readers may find the paper-thin reasoning behind the author’s decision to make the main character gay problematic at best.

A fun but deeply flawed science-fiction reimagining of the 1955 Heinlein juvie classic Tunnel in the Sky.

Pub Date: Oct. 1, 2019

ISBN: 978-0-358-21324-6

Page Count: 240

Publisher: Houghton Mifflin Harcourt

Review Posted Online: July 15, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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NINTH HOUSE

Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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