A promising, if uneven, portrait of the ways in which people lose and find happiness.
Cumming offers a wandering novella of love, loss, and second and third chances.
A narrator named Daniel (“You are Daniel-who-handles-it. Daniel-who-is-there. Daniel-who-doesn’t-need-anything-because-Daniel-is-fine”) recounts various moments in his life, starting from childhood and moving through multiple failed relationships and the tentative beginnings of one that he believes may heal him. Though brief, the book covers a good deal of emotional ground without flinching from what life inflicts. It begins with the narrator in a troubled marriage, remembering a key moment under a Toronto streetlight: “Two minutes of just being present in my own life.” He then recalls other important moments, from a childhood hockey game to his time playing in a band to co-founding a tech company, before focusing on the women in his life. At times joyful and heartbreaking, the journey will appeal to those who have experienced similar love and loss. Throughout, the narrator is often paralyzed by doubt, circling his choices as he tries to understand where things went wrong. As a result, Daniel’s musings sometimes read more like a therapy journal than a cohesive novella. Characters are introduced, only for the narrator to retreat from them, as if theirs are not his stories to tell: “It doesn’t belong to me alone and some of it belongs to people who never asked to be in this story.” The book’s sensitive handling of a character’s transgender journey is a great strength, revealing the loving heart of the protagonist. More moments like these might have helped deepen readers’ connection to Daniel’s journey. For many readers, though, the book will read more like extended self-criticism than a fully realized narrative; the theme of romantic relationships is so central to the work that other aspects feel diminished or unreal.
A promising, if uneven, portrait of the ways in which people lose and find happiness.Pub Date: May 15, 2026
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: April 22, 2026
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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