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SCREWDRIVER

An exhausting novel with unbelievable characters, an unintelligible plot, and an unpalatable literary style.

In Bloom’s novel, a private detective investigates several interconnected cases while battling his own addictions.

In California, Jean Barry is a private investigator with no shortage of cases to work—in fact, he has a strange surfeit of them, all of them entangled and convoluted to the point of being impenetrable. For example, he’s hired by Hel Lambert, a car salesman, to investigate an airline’s efforts to intimidate him into selling his lot—at one point, Hel is kidnapped and abused by a “gangly group of swashbucklers,” surely sent by company executives. Jean is also engaged by Charles Brubaker, the head of the airline in question, to find his vanished girlfriend, Vittoria Vitti, who happens to be an old flame of Jean’s. Meanwhile, a sketchy organization called Dynamo Properties, a “shadow operation by Hollywood bigwigs”—it’s never quite clear what they do—is keeping an eye on Charles, who has an initial public offering in the billions on the horizon. Additionally, they task Jean with spying on their own spy, Dohltrey, whom they suspect is a traitorous double agent. During all this work, Jean also manages to find time to help Monica, an actor who, following a public humiliation at the Oscars, is now involved in same-sex pornography: “She was never boinked,” notes the third-person narration. In part to help her, he pitches a movie idea to Rex, a film producer in need of a script for a project that he describes as “The Big Sleep meets Trainspotting.”

Trainspotting is an apt comparison, as much of this novel is devoted to Jean’s indulgences, which run the gamut from alcohol to peyote. The entire work is written in an unnatural manner that unsuccessfully aims for stylishness, as when Charles asks Jean to find Vittoria in a speech that’s nearly unreadable: “I lack the gumption for somewhat shoddy matters, this matter, in particular, concerns my self, my auxiliaries, and yourself, if you accept, the concern being that my lady has gone awry and I cannot be certain she may do harm to not only herself but also to the aforementioned parties. I am afraid it is a grave matter, indeed.” The primary failing of the novel, however, is not the incomprehensibility of its dialogue, but of its plot. For example, readers know that Dynamo Properties somehow manages to “control the media’s information overload” and spreads disinformation to its clients, but the practical details are left exasperatingly vague. The novel effectively approaches clarity toward the end when Jean is compelled to confront his ungovernable addictions and reconcile himself to the loss of Vittoria. However, neither of these promising avenues are adequately developed. Moreover, the prose style is frequently overwrought—a peculiar brew of classic detective patois and the pretentious postmodern philosophy, as when readers learn Jean feels rudderless: “The map was gone. Or had everything just melted into some amorphous form, magma at the core of a deep shaft that was yet to cool off into a form of considerable consequence?”

An exhausting novel with unbelievable characters, an unintelligible plot, and an unpalatable literary style.

Pub Date: Nov. 11, 2024

ISBN: 9781944527006

Page Count: 204

Publisher: Natural Press

Review Posted Online: June 10, 2025

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FURY IN DEATH

A satisfying thriller that will warm the hearts of fans who already take comfort in hating the forces of evil.

Lt. Eve Dallas’ 63rd futuristic case is less a whodunit than a manhunt for an unusually sympathetic killer.

Thirteen years ago, way back in 2048, scientific genius Steve Redman—father of the Banner-Wyst corporation’s Rainmaker Project—narrowly escaped death in a gas explosion that killed his pregnant wife and infant son and 200 other residents of their New York City apartment building the night before he planned to report his suspicions about the company to the FBI. Now the bill is coming due for Banner-Wyst. The first death to be discovered is that of Lawrence Chu, Redman’s colleague and trusted friend, whose tenure as director of bioengineering science ends when he’s beaten to death. For quite a while, Dallas and her partner, Det. Delia Peabody, know less about this mystery than their readers do. But when Ezra Dent, a consultant to Banner-Wyst who worked with Redman and Chu back in the day, is murdered in exactly the same ferocious way, Dallas and Peabody, with help from Roarke, Dallas’ tech-billionaire husband, promptly put the pieces together and determine who they’re looking for. The search for Redman, who went AWOL from his hospital bed without a trace six years ago, has its own challenges. So does Dallas’ attempt to get cooperation from partners Calvin Banner and Jacob Wyst, who are clearly in the crosshairs of a killer who seems a lot less monstrous than they are. If the breaks in the case are suspiciously convenient in arriving, readers can pride themselves on taking sides against a mega-corporation whose self-avowed ecological saintliness is undermined by its leaders’ underhanded dealing.

A satisfying thriller that will warm the hearts of fans who already take comfort in hating the forces of evil.

Pub Date: Sept. 8, 2026

ISBN: 9781250414564

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 18, 2026

Kirkus Reviews Issue: June 15, 2026

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THE HONJIN MURDERS

The delightful debut of a classic, prolific detective.

It takes a quirky sleuth to solve a baffling closed-door murder.

The author himself or, more accurately, some version of him, walks the reader through a “gruesome murder” that occurred in a rural farming village. At the center of the crime is the wealthy Ichiyanagi family, including the widow Itoko and her five children. The “heinous crime” occurs in the evening after the festive wedding of eldest son Kenzo to schoolteacher Katsuko. Yokomizo, part narrator and part raconteur, liberally shares digressions such as the fact that his favorite British author is A.A. Milne, who wrote The Red House Mystery as well as the books about Winnie-the-Pooh. Written in 1946 but set in 1937 before the devastation of World War II, this is the first novel featuring Kosuke Kindaichi, the legendary detective who appeared in more than 70 stories by Yokomizo. If Yokomizo is the Japanese Agatha Christie, Kindaichi may seem the Japanese Hercule Poirot—although actually, given his unkempt hair and apparently distracted manner, he’s more a cross between Poirot and Columbo. Shrewdly, his entrance is delayed until midway through the novel, after the police have stalled and both the family and the reader are anxious for a solution. The narrator’s garrulous charm, in a mystery long on logistics and forensic clues but short on detailed character portraits or extended interactions, is a key to the novel’s success, leavening the more intricate pieces of the puzzle. Armchair detectives will welcome the helpful character list that precedes the story.

The delightful debut of a classic, prolific detective.

Pub Date: Sept. 15, 2026

ISBN: 9781805336549

Page Count: 192

Publisher: Pushkin Vertigo

Review Posted Online: July 20, 2026

Kirkus Reviews Issue: Aug. 15, 2026

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