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SIXTY

A DIARY OF MY SIXTY-FIRST YEAR: THE BEGINNING OF THE END, OR THE END OF THE BEGINNING?

Brown's humor is pointed inward as often as outward, and he neither glosses over nor languishes on the fact that he has...

A journalist’s diary of age 60.

In 2014, Brown (The Boy in the Moon: A Father's Journey to Understand His Extraordinary Son, 2011, etc.) arrived at one of the crossroads of life that even the most self-assured among us cannot help but eye warily. No longer a young man, nor even middle-aged, but on the cusp of “heading into the last turn, or for the back nine, or toward the clubhouse (someone should make a list of all the euphemisms we employ to denote the onset of aging),” the author looked back on a resolution he made at 50 to take note of the details around him and the processes unfolding within him. For 10 years, that resolution got lost in the daily shuffle of obligations. As 60 approached, he found a dearth of levelheaded explorations of that age. Displeased with the cheerleading of seniorhood as just another "new and ever-younger future,” an assessment that “mostly made me want to run shrieking from the room,” Brown found new motivation to try his hand at it. The subjects that find their ways into these pages aren't surprising: the author mulls over his own flagging ambitions as a writer, wondering where the drive to swing for the fences went and why he didn't harness it when it was active. He considers the writing of others—not just about aging, but also the importance of being present in one’s current environment. Conversations with lifelong friends often turned into the airing of the newest physical grievances. Young editors at the newspaper told him to develop his Twitter presence and build his list of followers on YouTube. His reactions reflect the knowledge of someone who understands technology well enough to acknowledge the shifting paradigms while also dismissing much of it as ridiculous. If that sounds cantankerous, the author is not.

Brown's humor is pointed inward as often as outward, and he neither glosses over nor languishes on the fact that he has fewer years ahead of him than behind.

Pub Date: Aug. 23, 2016

ISBN: 978-1-61519-350-9

Page Count: 320

Publisher: The Experiment

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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