Lovely art comes with unusual perspectives on familiar tales about lions, mice, and trickster foxes.
Messages both overt and hidden in the life and preserved wisdom of an enslaved storyteller.
Yes, Lendler acknowledges, Aesop’s fables are generally interpreted as “simple lessons on virtue and good values,” but on closer looks, “many of them are actually practical advice on how to survive in a world in which some have power and some do not.” As evidence, he selects 13 to retell—most (“The Ant and the Grasshopper,” “The Boy Who Cried Wolf”) well known, others, such as “The Donkey and the Lapdog” and “The Lion and the Statue,” less so. Some are embedded in an imagined account of Aesop’s life based on legends from later centuries. In this narrative, the child of enslaved parents learns to speak “in code,” impresses one master but is sold to a second, and, after some years, wins freedom at last with the story of a wolf who would rather go hungry than be collared like a dog. Zagarenski places light-skinned, delicately expressive humans and graceful animals (the latter often in anthropomorphic dress and postures) into golden-toned settings. The book is highlighted by a lyrical trio of climactic freedom scenes in which morals, titles, and lines from fables become decorative elements, swirling exuberantly through dense crowds of figures. Morals printed in gold add further sumptuous notes to the tersely rendered fables.
Lovely art comes with unusual perspectives on familiar tales about lions, mice, and trickster foxes. (afterword, bibliography) (Folktales. 7-10)Pub Date: March 10, 2020
ISBN: 978-1-328-58552-3
Page Count: 64
Publisher: HMH Books
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Of possible interest where poppies are distributed around Memorial Day and Veterans Day.
Imbued with an unwavering sense of duty and patriotism, a woman conceives a lasting tribute to war veterans.
Georgia schoolteacher Moina Michael, deeply saddened at the outbreak of World War I, wanted to help departing soldiers. She rolled bandages, knitted socks and sweaters, and boosted morale by delivering books, food and goodwill. These efforts, even combined with waving farewell at train stations, weren’t enough; Michael yearned to do more. Working with the YMCA in New York City, she offered support and kindness to soldiers. A chance rereading of the famous wartime poem “In Flanders Fields,” with its images of poppies on graves, galvanized Michael into action, and she devoted herself to seeing that a red poppy became a symbol to memorialize the war dead. Her idea eventually led to the public distribution of paper poppies to raise funds for veterans and military families, a tradition that continues in some communities. Michael’s moral force and commitment are commendable and noteworthy, but this is a well-meaning, though only serviceably written, overwrought book that will resonate more with adults. Children of military families may take it more to heart than other youngsters, especially those unfamiliar with the tradition. The heroic oil paintings are colorful, and Michael looks nothing less than beatific.
Of possible interest where poppies are distributed around Memorial Day and Veterans Day. (prologue, epilogue, author’s note, bibliography) (Picture book. 7-10)Pub Date: Sept. 1, 2012
ISBN: 978-1-59078-754-0
Page Count: 40
Publisher: Calkins Creek/Boyds Mills
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
An homage that is ultimately more a testament to the author-illustrator’s own bookmaking skills than paean to the inventor...
Ironically, this book honors the inventor of the printing press more through illustrations than words.
Sumptuously illustrated in the style of medieval manuscripts, this title offers fascinating descriptions of the steps and materials involved in 15th-century bookmaking. Children will savor the explanations and detailed, jewellike illustrations that clearly convey the procedures, substances and skill that went into the preparation of what the text calls a "mysterious thing." Each process and component is discussed on a page that ends in a riddle, answered on a facing page. When Gutenberg (German for from the good mountain) enters, it’s almost anticlimactic. Still, his printing press’s success and the illumination and binding of his first efforts are lucidly related, and a sample page is illustrated. Only on the final page of the story does the author confirm what the press actually produced. Overall, adults will likely be more captivated than children, having greater perspective on and appreciation for what Gutenberg brought forth; no explanation for how Gutenberg’s innovation changed the world is presented for youngsters. However, even adults will be frustrated by the lack of glossary and sources. Young readers desiring further information are given a list of terms to search for on the Internet, though this seems a frail substitute.
An homage that is ultimately more a testament to the author-illustrator’s own bookmaking skills than paean to the inventor of movable type. (epilogue, key search terms) (Picture books/biography. 7-10)Pub Date: Sept. 18, 2012
ISBN: 978-1-59643-542-1
Page Count: 40
Publisher: Neal Porter/Flash Point/Roaring Brook
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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