A maximally engaging tale of ancient Rome.
Political intrigue and erotic charge fuel this novel set in the waning years of the Roman Empire.
“Stories get better and better after four hundred years,” according to this tale about Gen. Magnus Maximus, commander of the Roman forces in Britain in the twilight years of the fourth century. But if a 400-year-old story is great, a 1,600-year-old yarn must be even better. Such is the logic of Evans’ (Menace, 2017, etc.) engrossing work of historical fiction, which puts flesh on the biography of Maximus, one of Rome’s more intriguing figures. Maximus is a military leader—and a fine one at that—but the grumblings of his troops against the local emperor, Gratianus, have given the general dreams of the throne. Could he turn his military power into an empire? The temptation is real. Yet Maximus has other dreams too; these nighttime visions are of a woman of surpassing grace named Elen, who the author is at great pains to remind readers is the “most beautiful woman” that just about anyone has ever seen. Driven by his ambitions—both political and romantic—Maximus puts two plans in motion, one to become emperor and the other to win the literal woman of his dreams. All good historical fiction must start with superb history, and Evans has picked an excellent source. The general is complicated in all the right ways: Ambitious and talented, proud and provocative, Maximus is a protagonist pulled directly from central casting. And while the author is supported by the historical record, he is not confined by it, and he tweaks and bends the story adeptly to fit his own narrative needs. Perhaps the only small defect lies in the prose itself: Evans is an academic by training, and sometimes his book reads less like a novel on ancient Rome than a scholarly essay about it. But his writing is never too purple, and readers will be happy to trudge through the occasional linguistic thicket to find out what happens next.
A maximally engaging tale of ancient Rome.Pub Date: March 28, 2019
ISBN: 978-1-78465-533-4
Page Count: 398
Publisher: Vanguard Press
Review Posted Online: May 31, 2019
Kirkus Reviews Issue: July 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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