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PAPER

AN ELEGY

An enjoyable argument that speaks to the paper lover in all of us.

With a playfulness that begins with the title, this “elegy” to paper is instead a celebration of its essential, ubiquitous role in society, culture and life itself.

A surface reading of modernity suggests that we are on the verge of a “paperless” society, as everything from bills to books goes digital. Not so, writes Sansom, a British journalist, broadcaster and mystery writer (The Bad Book Affair, 2010), who writes, “As this book will attempt to show…reports of the death of paper have been greatly exaggerated.” In chapters that encompass everything from treaties to toilet paper, from passports to wallpaper to origami, the author shows how paper remains central within our collective consciousness, how even when we move our eyes to an e-reader or computer screen, we will see page numbers for the cyberpages that we “turn” or an on-screen wastebasket for the documents we wish to delete. “We are, simply, paper fanatics and paper fundamentalists.” While skipping across centuries and continents through prose that combines scholarly research and conversational engagement, Sansom insists that “this book is not, strictly speaking, a history of paper. It is, rather, a kind of personally curated Paper Museum.” He explores the significant role paper has played in the lives of Dickens and da Vinci and suggests that Hans Christian Andersen was perhaps even more “extraordinary” as a paper cutter than as a storyteller. He writes of forgery and collage and of the paper trail that documents our lives from birth to death, and he writes with an intimacy that paper makes possible: “Paper’s most powerful magic? Simply this. That paper allows us to be present—or to appear to be present—when we are in fact absent. It both breaks and bridges time and distance. I am talking to you now, for example, on paper.”

An enjoyable argument that speaks to the paper lover in all of us.

Pub Date: May 14, 2013

ISBN: 978-0-06-224143-6

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: March 27, 2013

Kirkus Reviews Issue: April 15, 2013

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Readers Vote
  • 19


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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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