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HIDDEN IN PLAIN SIGHT

MOMENTS OF BEAUTY

A memoir by an author whose striking photos are more illuminating than his quirky sentences.

Through personal musings and photographs, Roberts (Figments and Fragments, 2012) explores poignant moments during a life of extensive world travel.

The octogenarian author opens his memoir by urging readers to recognize and appreciate the artistry that’s all around them—to “keep your eyes open for beauty that is deeper, wider, higher, further, more memorable, unlimited and moving than you ever imagined.” He recalls his youth in England in the shadow of World War II, during which he was raised by intellectual, authoritarian parents. His early experiences in the Royal Air Force and his independent journeys around Europe helped him develop a taste for travel. It was further enhanced by his career at Coverdale, a management-training organization where he found his “life’s work: task-focused, small-group development.” His job, he says, took him around the world “from Canada to New Zealand.” In a collection of photos, he highlights what he felt were particularly powerful or symbolic moments along the way. He accompanies each image with a brief description of why it was, and is, significant for him, followed by descriptions of the photos’ specific locations and why he happened to be there. Finally, Roberts describes his various romantic relationships, and his time spent with family members and traveling companions; he even chronicles his life as he was writing this book. Readers will likely find the photography section to be the book’s highlight, as it features striking scenes of nature as well as intimate portraits. Some readers may struggle, however, with what Roberts himself calls “idiosyncratic punctuation”; sentences such as, “I see now this was my opening into the ‘and-and’ vs ‘either-or’ dualism approach to life, the non-dualistic way may all choose but counter-cultural to centuries of ‘the/my way,’ ” may confound more than they communicate. However, after readers view his photos, most will agree that visual art, rather than prose, is Roberts’ true medium. 

A memoir by an author whose striking photos are more illuminating than his quirky sentences.

Pub Date: Sept. 15, 2014

ISBN: 978-1460215081

Page Count: 176

Publisher: FriesenPress

Review Posted Online: Oct. 28, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • 748


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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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