War overshadows this second volume of an alternate-world trilogy (The Mechanical, 2015) set a few hundred years after the Dutch scientist Christiaan Huygens blended clockwork and alchemy to create the robotic Clakkers.
The Dutch and their legions of Clakkers are preparing an assault against Marseilles-in-the-West, the Canadian seat of the Kingdom of France-in-Exile. Capt. Hugo Longchamp struggles to assemble a sufficient defense against the Dutch incursion, knowing that it’s doomed to fail. The ruthless, rash Berenice Charlotte de Mornay-Périgord, formerly New France’s spymaster until a dreadful miscalculation, pursues both revenge and redemption by attempting to penetrate the secrets of the Clakkers’ metageasa. If she can understand the hierarchical programming that enslaves the Clakkers, she can then twist their loyalty from Dutch to French. And Jax, the freed Clakker desperately fleeing his many enemies, finally reaches Neverland and discovers the truth about the fabled community of rogue Clakkers and its sinister ruler, Queen Mab. Meanwhile, Luke Visser, the French spy and priest forcibly modified by alchemical surgery into an assassin against his own people, threatens to strike again. The chases, the battles, the brutal violence, and the scheming are nonstop. As always, Tregillis offers richly textured and genuinely likable personalities with shades-of-gray morality; it's clearly no accident that the most purely good person in the novel is the mechanical Jax, although even his sterling qualities are severely tested by the terrible situations he faces. Middle volumes are always tricky; they can often read as an obstacle to overcome on the way to the forgone conclusion of the third installment. Tregillis commendably avoids this trap, deepening his story and keeping it moving along toward an unknown horizon.
Part 3 can't come too soon.Pub Date: Dec. 1, 2015
ISBN: 978-0-316-24801-3
Page Count: 480
Publisher: Orbit/Little, Brown
Review Posted Online: Oct. 28, 2015
Kirkus Reviews Issue: Nov. 15, 2015
Categories: FANTASY | HISTORICAL FANTASY
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A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.
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Manic parodist Moore, fresh off a season in 1947 San Francisco (Noir, 2018), returns with a rare gift for Shakespeare fans who think A Midsummer Night’s Dream would be perfect if only it were a little more madcap.
Cast adrift by pirates together with his apprentice, halfwit giant Drool, and Jeff, his barely less intelligent monkey, Pocket of Dog Snogging upon Ouze, jester to the late King Lear, washes ashore in Shakespeare’s Athens, where Cobweb, a squirrel by day and fairy by night, takes him under her wing and other parts. Soon after he encounters Robin Goodfellow (the Puck), jester to shadow king Oberon, and Nick Bottom and the other clueless mechanicals rehearsing Pyramus and Thisby in a nearby forest before they present it in celebration of the wedding of Theseus, Duke of Athens, to Hippolyta, the captive Amazon queen who’s captured his heart, Pocket (The Serpent of Venice, 2014, etc.) finds Robin fatally shot by an arrow. Suspected briefly of the murder himself, he’s commissioned, first by Hippolyta, then by the unwitting Theseus, to identify the Puck’s killer. Oh, and Egeus, the Duke’s steward, wants him to find and execute Lysander, who’s run off with Egeus’ daughter, Hermia, instead of marrying Helena, who’s in love with Demetrius. As English majors can attest, a remarkable amount of this madness can already be found in Shakespeare’s play. Moore’s contribution is to amp up the couplings, bawdy language, violence, and metatextual analogies between the royals, the fairies, the mechanicals, his own interloping hero, and any number of other plays by the Bard.
A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.Pub Date: May 12, 2020
ISBN: 978-0-06-243402-9
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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Self-assured, entertaining debut novel that blends genres and crosses continents in quest of magic.
The world’s not big enough for two wizards, as Tolkien taught us—even if that world is the shiny, modern one of the late 19th century, with its streetcars and electric lights and newfangled horseless carriages. Yet, as first-time novelist Morgenstern imagines it, two wizards there are, if likely possessed of more legerdemain than true conjuring powers, and these two are jealous of their turf. It stands to reason, the laws of the universe working thus, that their children would meet and, rather than continue the feud into a new generation, would instead fall in love. Call it Romeo and Juliet for the Gilded Age, save that Morgenstern has her eye on a different Shakespearean text, The Tempest; says a fellow called Prospero to young magician Celia of the name her mother gave her, “She should have named you Miranda...I suppose she was not clever enough to think of it.” Celia is clever, however, a born magician, and eventually a big hit at the Circus of Dreams, which operates, naturally, only at night and has a slightly sinister air about it. But what would you expect of a yarn one of whose chief setting-things-into-action characters is known as “the man in the grey suit”? Morgenstern treads into Harry Potter territory, but though the chief audience for both Rowling and this tale will probably comprise of teenage girls, there are only superficial genre similarities. True, Celia’s magical powers grow, and the ordinary presto-change-o stuff gains potency—and, happily, surrealistic value. Finally, though, all the magic has deadly consequence, and it is then that the tale begins to take on the contours of a dark thriller, all told in a confident voice that is often quite poetic, as when the man in the grey suit tells us, “There’s magic in that. It’s in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict.” Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.
Pub Date: Sept. 13, 2011
ISBN: 978-0-385-53463-5
Page Count: 384
Publisher: Doubleday
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
Categories: GENERAL SCIENCE FICTION & FANTASY | FANTASY | GENERAL FANTASY
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