A lyrical, closely observed contribution to the literature of race and social justice.
Toronto-based poet and short story writer Williams contemplates race and racism in this thoughtful narrative.
Even though Canadians are generally less confrontational than Americans, there are still plenty of issues to contend with. “In Canada,” writes the author, “there’s still a sense that a Black Canadian is from elsewhere—not Canada. Maybe the Caribbean or Africa. White Canadians keep looking for a source of that Blackness, whereas white Americans know that Black people are as much a historical part of their country as white people are.” As a Black man, he writes, “You’re not going to say anything whatsoeverabout race, because you’re not stupid.” The narrative is a potent thinking-aloud exercise that helps Williams sort out his thoughts on race and privilege, and he hits on many provocative points where in at least one sense he has the upper hand: “Race is one of the few places where white people actually defer to Black people without challenge.” Many of his lodestar points are literary, as when he dissects an exchange that David Foster Wallace once had with a Black student, demanding that she produce work in Standard Written—read White—English, which “is perceived as the dialect of education and intelligence.” Wallace’s position may have evolved—or not; in any event, Williams allows for that evolution since a person is entitled to exchange opinions. There are matters beyond opinion, though—e.g., the prevalence, still, of the N-word, the “ubiquity of evidence and cases of violence against Black people,” and the fact that “both America and Canada are created on white power.” In every regard, sensitive to nuance and history, Williams writes searchingly of matters such as the murder of George Floyd, the travails of biracial children, and the daily injustices Black people face, no matter what side of the border they call home.
A lyrical, closely observed contribution to the literature of race and social justice.Pub Date: Nov. 30, 2021
ISBN: 978-1-60945-739-6
Page Count: 224
Publisher: Europa Compass
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
BOOK REVIEW
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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