An impeccable, epic, essential vision of American history as a whole and a testament to the resilience of Black people.
A compendium of essays and poems chronicling 400 years of Black American history.
In order to tell the story of Black America, acclaimed scholar Kendi and award-winning historian Blain bring together 80 Black “historians, journalists, activists, philosophers, novelists, political analysts, lawyers, anthropologists, curators, theologians, sociologists, essayists, economists, educators, and cultural critics” and 10 poets. This engrossing collection is divided into 10 parts, each covering 40 years, and each part ends with a poem that captures the essence of the preceding essays. In the opening essay, Nikole Hannah-Jones, the Pulitzer-winning creator of The 1619 Project, examines the period from Aug. 20, 1619—the symbolic birthdate of African America when “twenty ‘Negroes’ stepped off the [slave] ship White Lion in Jamestown, Virginia”—to Aug. 19, 1624. The book ends with Black Lives Matter co-founder Alicia Garza reflecting on the years between Aug. 20, 2014 and Aug. 20, 2019. The brief but powerful essays in between feature lesser-known people, places, ideas, and events as well as fresh, closer looks at the trans-Atlantic slave trade, the Harlem Renaissance, Brown v. Board of Education, the Black Power movement, the war on drugs, Hurricane Katrina, voter suppression, and other staples of Black American history and experience. Poignant essays by Bernice L. McFadden on Zora Neale Hurston, Salamishah Tillet on Anita Hill, and Kiese Laymon (“Cotton 1804-1809”) deftly tie the personal to the historical. Every voice in this “cabinet of curiosities’ is stellar, but standouts include Raquel Willis’ piece on queer sexuality (1814-1819); Robert Jones Jr. writing about insurrectionist Denmark Vesey, with Kanye West as a throughline; Esther Armah on Black immigrants, and Barbara Smith on the Combahee River Collective, founded in 1974 by Black women who were “sick of being invisible.” Other notable contributors include Ijeoma Oluo, Annette Gordon-Reed, Donna Brazile, Imani Perry, Peniel Joseph, and Angela Y. Davis.
An impeccable, epic, essential vision of American history as a whole and a testament to the resilience of Black people.Pub Date: Feb. 2, 2021
ISBN: 978-0-593-13404-7
Page Count: 528
Publisher: One World/Random House
Review Posted Online: Dec. 28, 2020
Kirkus Reviews Issue: Feb. 1, 2021
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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