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ICE

A MEMOIR OF LIFE AND REDEMPTION--FROM SOUTH CENTRAL TO HOLLYWOOD

A boldly opinionated, bracingly street-tough memoir.

Once-controversial rapper turned actor’s no-nonsense overview of his life.

Although Ice-T (The Ice Opinion, 1994), born Tracy Marrow, spent his early childhood in quaint Summit, N.J., by his early teens both his parents were dead, and he was living with his aunt in the gangbanger-ruled streets of South Central Los Angeles. Attending infamous Crenshaw High School, he flirted with gang affiliation and criminal activities. While still a teen, he had his own house and lived off social security and the occasional illicit street hustle. Then he joined the Army and trained as a paratrooper. It’s in his post-Army years that the author’s autobiographical confessions start to really heat up. He orchestrated a series of department-store heists around L.A. and beyond, and his adrenaline-rush descriptions of these robberies show what competent criminals could achieve before the advent of sophisticated detection devices. Yet after a few close shaves with the law, he gave up crime to rap about it. Ice asserted himself as the first rapper to talk about street crime using explicit language. By the late ’80s, he was signed to Sire Records and selling hundred of thousands of albums despite little radio airplay. Not long after he established himself in the rap game, he landed substantial acting roles in feature films like Colors and New Jack City. The latter half of the book covers, among other topics, the controversy surrounding the inflammatory Body Count song, “Cop Killer,” his love life, and his thoughts on being an actor (he now stars in Law & Order: SVU). The author is surprisingly self-conscious about criticism directed at him, complaining a lot about “haters,” even though he can be a pretty harsh critic himself. Mostly he uses this book as a sounding board for his no-holds-barred opinions of contemporary hip hop (it’s weak) and culture in general, the cutthroat Hollywood system (where the real gangsters are), money and fame (overrated) and his role as a parent and husband (he’s tough but fair).

A boldly opinionated, bracingly street-tough memoir.

Pub Date: April 19, 2011

ISBN: 978-0-345-52328-0

Page Count: 288

Publisher: One World/Random House

Review Posted Online: Dec. 29, 2010

Kirkus Reviews Issue: Jan. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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