by Ice-T Mal Radcliff ‧ RELEASE DATE: Sept. 1, 2011
Ice-T, rapper and one of the stars of Law and Order: SVU, tries his hand at crime fiction, with the help of co-writer Radcliff.
Marcus “Crush” Casey is paroled from Attica after serving 20 years on charges related to his leading the Vicetown Kings, a New York City gang. Gulliver Rono, his chief lieutenant, betrayed him to the authorities to take over leadership of the Kings. Now Crush wants revenge, but he’s been “schooled” in prison by the legendary “Mack D,” an autodidact intellectual. From Mack, he has soaked up the wisdom of nearly every deep thinker from Aristotle to Sun Tzu. Now Crush has contrived an elaborate plot to take vengeance on Rono and regain leadership of the Kings. Crush also wants to make the gang into something more than a rough bunch of dope “slangers.” Crush is intelligent and ruthless, but not a particularly likable protagonist, and the authors never make clear whether Crush intends to move the Kings into legitimate activities. Most of the action spins around the revenge quest against Rono and the co-opting of both the city’s prominent Hispanic gang, the Blood Devils, and its remorseless Asian gang, the Black Lotuses, a group involved in the sex-slave business. Crush may be down with supplying drugs, but he cannot stomach the brutal abuse of young girls. As Crush’s campaign moves toward its conclusion, readers learn there is more than one "playa" seeking his own brand of justice and more than one schemer pulling stings. While this vengeance tale is sometimes plagued by overly clichéd writing, the use of gangster slang lends an air of believability. It is, however, a relatively slow-moving crime caper, with much rationalization and philosophical musings apparently meant to add gravitas.
The open-ended conclusion suggests Crush may appear again. The snipers, flash grenades and car chases suggest Ice-T is readying a screen treatment.
Pub Date: Sept. 1, 2011
ISBN: 978-0-7653-2513-6
Page Count: 336
Publisher: Forge
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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