Transforming the odd and the homely into something beautiful is both the subject and the accomplishment of this book.
When a woman is left a roomful of giant metal artworks by her long-estranged stepmother, a journey begins.
Both characters who narrate this inspiring novel, spare yet packed with plot and ideas, are from a tiny fictional town in the southern Allegheny Mountains. Jean was married to Leah's father until Leah was 10, when their flourishing bond was severed by divorce. In her 60s, living in the house she grew up in, Jean taught herself welding from YouTube videos and began making towers out of sheet metal, decorating them with oddments trapped in little vitrines and quotes like "I WANT TO BELIEVE IN SOLITUDE AND THE GLORY OF MY INNER HORSEFACE, DON'T YOU?" Inspired by the work and writings of Louise Bourgeois, Jean had "no nerve in the morning if [she] skipped [her] nightly Louise," who "made art seem like something any obsessive loner who craved it could achieve." Leah, Jean's one-time stepdaughter, left town long ago, moving to Peru after college, eventually returning to settle in New York with her husband, Gerardo, and son, Silvestre. As the book opens, she is on her way home for the first time in years, having gotten a call from a man who was living with Jean at the time of her death. It's not an easy journey, with the GPS cutting out in rural Pennsylvania and her Spanish-speaking family receiving hostile attention at a gas station festooned with flags. When they get to Jean's, they find a broken-down neighborhood, a scary man with no front teeth, and what Jean referred to as her Manglements. The end of the book comes in a rush as Novey does the metaphorical equivalent of what Jean saw a man doing at the flea market. "He was shifting the height of the shelf and the glass jars to best catch the sunlight moving through his marbles and the pockets of air between them. After his next tweak, a jar of translucent green marbles caught the light in such a divine way the marbles lit up from within." "That’s Art," Jean tells him. "You made it happen, thank you."
Transforming the odd and the homely into something beautiful is both the subject and the accomplishment of this book.Pub Date: March 14, 2023
ISBN: 978-0-59-365285-5
Page Count: 256
Publisher: Viking
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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