Transforming the odd and the homely into something beautiful is both the subject and the accomplishment of this book.
When a woman is left a roomful of giant metal artworks by her long-estranged stepmother, a journey begins.
Both characters who narrate this inspiring novel, spare yet packed with plot and ideas, are from a tiny fictional town in the southern Allegheny Mountains. Jean was married to Leah's father until Leah was 10, when their flourishing bond was severed by divorce. In her 60s, living in the house she grew up in, Jean taught herself welding from YouTube videos and began making towers out of sheet metal, decorating them with oddments trapped in little vitrines and quotes like "I WANT TO BELIEVE IN SOLITUDE AND THE GLORY OF MY INNER HORSEFACE, DON'T YOU?" Inspired by the work and writings of Louise Bourgeois, Jean had "no nerve in the morning if [she] skipped [her] nightly Louise," who "made art seem like something any obsessive loner who craved it could achieve." Leah, Jean's one-time stepdaughter, left town long ago, moving to Peru after college, eventually returning to settle in New York with her husband, Gerardo, and son, Silvestre. As the book opens, she is on her way home for the first time in years, having gotten a call from a man who was living with Jean at the time of her death. It's not an easy journey, with the GPS cutting out in rural Pennsylvania and her Spanish-speaking family receiving hostile attention at a gas station festooned with flags. When they get to Jean's, they find a broken-down neighborhood, a scary man with no front teeth, and what Jean referred to as her Manglements. The end of the book comes in a rush as Novey does the metaphorical equivalent of what Jean saw a man doing at the flea market. "He was shifting the height of the shelf and the glass jars to best catch the sunlight moving through his marbles and the pockets of air between them. After his next tweak, a jar of translucent green marbles caught the light in such a divine way the marbles lit up from within." "That’s Art," Jean tells him. "You made it happen, thank you."
Transforming the odd and the homely into something beautiful is both the subject and the accomplishment of this book.Pub Date: March 14, 2023
ISBN: 978-0-59-365285-5
Page Count: 256
Publisher: Viking
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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