An original, painful tale of youthful isolation.
Conjoined twins in the Soviet Union face loneliness and alienation in Eliseev’s debut novel.
Faith and Hope were born anatomically attached at the hip—a sight so shocking that the midwife who delivered them fainted. Their mother was so horrified that she was persuaded by a nurse to sign their death certificate and give them away to scientists; the father—away on business—was informed of their passing by telegram. First, they were studied as scientific anomalies, but eventually they attended a special boarding school. Later, they moved to a foster home for disabled children, where they suffered grim indignities and grotesque mistreatment. When one sick child at the home dies of illness as a result of utter neglect, the attendants treat the rest of the kids like they’re prisoners doing penance. The pair become intoxicated with the possibility of a surgical separation, and they eventually escape in the hope of finding a doctor willing to perform the procedure—one that would likely kill one of them. On their own, they soon suffer extraordinary cruelty; at one point, a truck driver picks them up as hitchhikers and brutally rapes them. Homeless, penniless, and ostracized from society, they’re reduced to panhandling as they set out to find the mother they never knew. Hope becomes suicidal as the two yearn to lead a normal life, free of deprivation. Author Eliseev unflinchingly limns the psychological nuances of the twins’ predicament, showing that despite their intimate connection, each longs to be free: “I often wondered what it would be like—having your own body, going where you wanted, doing what you liked doing,” Faith thinks. “How does it feel not being the hostage of somebody else, even if it is your closest and dearest relative?” Eliseev’s prose is straightforward and appropriately childlike, and Faith’s wisdom and anguish are heart-rending. As she narrates the story in the first person, her emotional range swings from endearingly optimistic to despairing. The backdrop of the tale—set in the twilight years of the USSR—vividly depicts the social dysfunction of a so-called “normal” society of “one-headed” people.
An original, painful tale of youthful isolation.Pub Date: Nov. 30, 2016
ISBN: 978-1-911414-23-0
Page Count: 194
Publisher: Glagoslav Publications
Review Posted Online: Feb. 6, 2017
Kirkus Reviews Issue: March 1, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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