An intriguing but uneven debut.
A debut novelist explores the complexities of love and grief.
Maggie Krause is in bed with her girlfriend when she gets the call: Her mother has just died in a car accident. When she returns to her childhood home, she finds her younger brother angry and her father paralyzed by grief. The discovery of a cache of letters that her mother, Iris, wanted delivered to five different men gives Maggie something to do besides coping with her family’s loss or processing her own feelings: She decides that she will find the strangers to whom these letters are addressed. This road trip is a journey of discovery for Maggie. She learns that her parents’ seemingly idyllic union was not quite what she thought it was; the affairs to which the book’s title refers are extramarital. As she gets to know the men her mother loved, Maggie also gets to know her mother better. And, of course, she begins to better understand herself. This setup is interesting, but the storytelling veers from the slow and slightly superficial to the…kind of kitschy. A scene with an all-seeing psychic is particularly hard to take seriously, and the whole narrative hinges on a big reveal that feels melodramatic and a bit cheap. Masad has chosen to surprise readers instead of providing them with information they need to understand Iris even though there are chapters narrated from her perspective. Getting glimpses of her trysts feels more voyeuristic than revealing. And the one letter we get to read seems macabre and manipulative—gaslighting from beyond the grave. Where the book succeeds is in depicting queer characters as multifaceted human beings who are not defined solely by their sexuality or gender. Maggie’s relationship problems aren’t because she’s a lesbian; they’re because she’s afraid of commitment. And it’s not often that fiction writers—or anyone, for that matter—depict women of middle age and beyond as beings who desire and wish to be desired.
An intriguing but uneven debut.Pub Date: May 26, 2020
ISBN: 978-1-5247-4597-4
Page Count: 336
Publisher: Dutton
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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