The author’s warm portraits and disarming honesty infuse the memoir with an endearing sweetness and charm.

I BLAME DENNIS HOPPER

AND OTHER STORIES FROM A LIFE LIVED IN AND OUT OF THE MOVIES

Actress, producer, and director Douglas celebrates her love of movies in a cheerful debut memoir.

The granddaughter of actor Melvyn Douglas, the author grew up in a hippie commune started by her father, who rejected a suburban, middle-class version of the American dream after he saw Dennis Hopper in Easy Rider. His daughter yearned to escape from her parents’ self-imposed poverty and become a movie star. “We look up to movie stars,” she writes. “We believe in them, because they are larger than life, and it makes us believe in ourselves when no one else does.” Channeling Liza Minnelli, Douglas was accepted into the Hartford Stage Youth Theatre, which set her on a path to acting schools in New York. Her career was marked by “dreams and magic signs that foretell where you’re going” and helped smooth the inevitable rough spots. On the way to success, the author recounts meetings with many movie idols who encouraged her: Lee Marvin (“my childhood sweetheart,” she confesses), who kissed her and wished her luck; Peter Sellers, who told her to learn to ride a unicycle “because it’s hard and not everyone can do it”; and Richard Dreyfuss, with whom she was obsessed. “He was the first actor I studied,” she writes, “and tried to be like, like a painter copying a master until he has a technique of his own.” Other luminaries who make appearances include the generous and understanding Roddy McDowall; Robert De Niro, with whom Douglas acted in Cape Fear; “kind and adorable” Gene Wilder; and Martin Scorsese, who was her boyfriend for a while. She also describes an emotional meeting with Marlon Brando and recalls her success at producing Easy to Assemble, a satirical series made with IKEA’s cooperation.

The author’s warm portraits and disarming honesty infuse the memoir with an endearing sweetness and charm.

Pub Date: Nov. 3, 2015

ISBN: 978-1-250-05291-9

Page Count: 304

Publisher: Flatiron Books

Review Posted Online: Aug. 15, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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