A masterfully poetic and intimate work that anchors mothering within the long-standing tradition of black resistance and...
A distinguished scholar writes to her sons about the joy, possibility, and grace of black life amid ongoing American struggles with race, gender, and class.
Carrying on an iconic legacy of public letters from black writers—think James Baldwin, Ta-Nehisi Coates, and Kiese Laymon, among many others—Perry (African American Studies/Princeton Univ.; Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry, 2018, etc.) reflects on her family history, tying it together with cultural allegories to impress upon her sons the precious inheritance found within black social life and the pursuit of a livelihood full of “passion, profound human intimacy and connection, beauty and excellence.” A multidisciplinary and acclaimed researcher, Perry uses references throughout the slim volume that range across centuries and the global black diaspora, across folklore, music, and visual arts as well as the influence of numerous faith traditions. “The people with whom you can share the interior illumination,” she writes, “that is the sacramental bond.” She breaks down the structures of violence and marginalization that black children face while uplifting the imaginative and improvisatory space for them to focus on their becoming, to not be trapped in misnarrated stories or “forced into two dimensions when you are in four.” Echoing Baldwin’s distinctive “Letter to My Nephew,” Perry emphasizes the critical life discipline of making choices—not in the shallow sense of choosing success or achievement but rather within the depths of the long, historic freedom struggle to answer important questions—e.g., “How will you treat your word? How will you hold your heart? How will you hold others?” Deeply intergenerational, the book blurs intended audiences to call all of us to face up to legacies of injustice while insisting on the grace and conviviality necessary to imagine just futures.
A masterfully poetic and intimate work that anchors mothering within the long-standing tradition of black resistance and resourcefulness.Pub Date: Sept. 17, 2019
ISBN: 978-0-8070-7655-2
Page Count: 176
Publisher: Beacon Press
Review Posted Online: June 10, 2019
Kirkus Reviews Issue: July 1, 2019
PROFILES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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