Realistic, tragic, and still remarkably kind to all its characters, this is a special book.
The American dream is put to the test by the economic disaster of 2007.
Among the spate of novels forged in the crucible of the previous decade, Mbue’s impressive debut deserves a singular place. This diversely peopled and crisply narrated story follows the trajectories of two Manhattan families, one at the top of the social heap and the other at the bottom. In the foreground is Jende Jonga, an immigrant from Cameroon, his wife, Neni, studying to be a pharmacist, and their young son. When Jende, who has been working as a dishwasher, scores a job as a chauffeur for Clark Edwards, a muckety-muck at Lehman Brothers with a troubled wife and similarly aged son, the fates of the Jongas and the Edwardses become entwined. Except for a nagging immigration problem being handled by a lousy lawyer, things go very well at first. Jende loves dressing up in a suit and driving a Lexus while Clark conducts endless cellphone conversations and laptop machinations in the back seat. Neni excels in school and becomes pregnant with a child who will be born a U.S. citizen. Then, during her summer hiatus in the Hamptons, Mrs. Edwards hires Neni to help with child care. One day she finds her employer disheveled and crashed out at midday; around this time, Clark starts having Jende take him for one-hour visits to the Chelsea Hotel. Cracks in the Edwards marriage are paralleled by trouble for the Jongas, too. Yet the magnitude of the catastrophe makes itself clear only slowly—particularly to immigrant eyes, dazzled by everything from shopping at Pathmark to the presidency of Obama to the freedom of Occupy protesters to demonstrate without being rounded up and thrown into prison. They will learn.
Realistic, tragic, and still remarkably kind to all its characters, this is a special book.Pub Date: Aug. 23, 2016
ISBN: 978-0-8129-9848-1
Page Count: 400
Publisher: Random House
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
BOOK REVIEW
SEEN & HEARD
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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