The author of the award-winning debut Behold the Dreamers (2016) follows up with a decades-spanning account of environmental calamity and its reverberating, often violent impact on a fictional African village.
The year 1980 finds Pexton, an American oil giant, in the midst of a yearslong project that by slow degrees is choking the life out of Kosawa, many of whose villagers have already perished “from the poison in the water and the poison in the air and the poisoned food growing from the land that lost its purity the day Pexton came drilling.” Whatever efforts the villagers make to seek relief or repairs have been met with relative indifference by the company and brutal reprisals from their nation’s dictatorship. But in October of that year, a Pexton delegation that had come to Kosawa to placate its desperate citizenry is taken captive by the village madman, Konga, whose reckless gesture is joined by others who believe their dire circumstances leave them no choice but to fight back. So begins a long, valiant, and costly struggle between this tiny farm village and the seemingly overpowering forces both within and outside its country poised to curtail or ignore its grievances. Mbue tells her story from several perspectives and displays deep and detailed empathy toward men and women of various ages, however they may feel about the bloodshed, imprisonment, thwarted hopes, and pervasive fear that dominate the village for the remaining years of the 20th century. At some point, the concerns of these and other villagers coalesce around Thula, an avid and intelligent 10-year-old girl when the Pexton spokesmen are kidnapped, who later goes to America to become educated about the wider world, though she vows to return to Kosawa someday. When she does, she is intent on setting in motion a plan to “bring down” the country’s despotic regime. Meanwhile, the land becomes less habitable, Pexton’s promises of reparations come to little, and Thula’s patience with legal remedies erodes further. Among the many virtues of Mbue’s novel is the way it uses an ecological nightmare to frame a vivid and stirring picture of human beings’ asserting their value to the world, whether the world cares about them or not.
A fierce, up-to-the-minute novel that makes you sad enough to grieve and angry enough to fight back.Pub Date: March 9, 2021
ISBN: 978-0-593-13242-5
Page Count: 384
Publisher: Random House
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
Categories: LITERARY FICTION | FAMILY LIFE & FRIENDSHIP | GENERAL FICTION
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A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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A fictional account of the agony and ecstasy of making a movie, from someone who’d know.
For his sprightly debut novel, actor/writer/national treasure Hanks—author of the story collection Uncommon Type, 2017—imagines the making of Knightshade: The Lathe of Firefall, a mashup of Marvel-esque superhero fare, war story, and artsy melodrama. The movie’s concept seems like an unworkable, even bad idea, which is part of the point—Hanks stresses the notion that successful movies aren’t just a matter of story but the people who make them. So he’s assembled an engrossing cast of characters: Bob Falls, the World War II vet who served as a flamethrower in the Pacific theater and became a PTSD–struck biker; Robby Andersen, the nephew who turned him into alternative-comix antihero Firefall; Bill Johnson, the well-decorated Spielberg-ian director who acquires the Firefall property and writes the script; and the small army of actors, assistants, and technicians charged with shooting the film in the Northern California town of Lone Butte—on time, lest morale collapse and the budget inflate. Hanks ably depicts how easily things derail. The male lead’s ego wrecks the shooting schedule. A stray social media post complicates security. On-set flirtations threaten a marriage. But the novel reflects the sunny stick-to-it-iveness of many of Hanks’ roles, and his central thesis is that every movie’s true hero is anybody who reduces friction. To that end, his most enchanting and best-drawn characters are the director’s assistant, Al Mac-Teer (full name Allicia), and Ynez Gonzalez-Cruz, a ride-share driver with no movie experience but a knack for problem-solving. “Most of the film business is done by meeting folks,” one character says, and Hanks suggests that meeting the right people—and being kind to them—is half the battle of successful moviemaking. Overly romantic? Consider the source. Regardless, it’s a well-turned tale of a Hollywood (maybe) success. (Sikoryak illustrates some comic-book pages related to the Firefall backstory and film.)
A loose-limbed, bighearted Hollywood yarn.Pub Date: May 9, 2023
ISBN: 9780525655596
Page Count: 448
Publisher: Knopf
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
Categories: GENERAL FICTION | LITERARY FICTION
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