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COMFORT & JOY

Plotless, though clearly warm-hearted holiday fun.

Knight’s favorite heroine (My Life on a Plate, 2001) returns, now remarried and juggling a hectic mixed family and a potential new love over the course of three consecutive holiday seasons.  

It’s two days before Christmas, and Clara Dunphy takes a break for a champagne cocktail during a last-minute shopping trip. Unexpectedly, she meets a handsome stranger who asks her to stay for a drink. Clara is still married, to a choreographer named Sam, and has a daughter with him and two teenaged sons with her first husband, Robert. But things with Sam have been rocky lately, and Clara can’t quite imagine them growing old together. Nonetheless, she returns home to a hectic dinner involving both Sam and Robert, the children, a critical mother, a dottering mother-in-law and several friends in complicated states of single-hood and couple-hood. The brood has a lot to drink and things get awkward, though nothing much actually happens, somewhat emblematic of the novel as a whole. Fast-forward a year. Sam and Clara’s marriage has indeed dissolved, and she has rekindled her relationship with the stranger from the previous Christmas, though everyone except said stranger is gathered again for another dinner at her house. Clara finally seems rightly concerned about the effect of all this on her children, which harkens back to issues from her own childhood (though she did have a consistent father figure, her mother is now on her fourth husband, which clearly haunts her). On the third Christmas featured, Clara takes the show on the road, embarking on a family holiday to Morocco. And what of the stranger? Stay tuned. Clara loves Christmas, and it’s easy to see why—as long as she can keep all the disjointed people in her life together, they will remain, in the best possible ways, a family.

Plotless, though clearly warm-hearted holiday fun.

Pub Date: Oct. 1, 2011

ISBN: 978-0-14-311981-4

Page Count: 240

Publisher: Penguin

Review Posted Online: Sept. 3, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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