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TIGER’S EYE

A MEMOIR

A touching insight into how we build our sense of self.

A hypnotizing memoir exploring depths of severe illness, identity, and memory itself.

Clendinnen (Reading the Holocaust, 1999) provides a discursive account of her childhood in Geelong, Australia during WWII, of her parents, and of her current experience fighting against liver disease. The author, whose degenerative illness leaves her prone to hallucinations, first takes the reader on a meandering tour of ephemeral images past and present, including recollections of early-life impressions of animals, folk stories, and the raw sights and sounds of hospital respite. She takes into account the associations behind her train of thought. In one case, while in the hospital, she remembers a girlish fascination with a tiger at the zoo. “I too was in a cage with feeding times and washing times and bars at the sides of my cot, and people coming to stare and prod,” she writes. As her memories gain coherence, the reader is drawn into the story of Clendinnen’s parents, her childhood, and daily life in the town of Geelong. These are relayed not so much in narrative but in mood and feeling (“When my father was shaving it was warm fragrant, sun-yellow”). The author is at her most engaging when she struggles to shape an accurate picture from memories of her parents—a pursuit that acknowledges the frustration of the parent-child relationship. “We will be able to look directly at them only when death has lifted their shadow from us,” she bemoans. Clendinnen moves through her remembrances in a trancelike state, often making use of abstract metaphors (e.g., she describes herself during one period of convalescence as being “held together by shadow knitting”). The result is a powerful and vivid recollection, in the mire of self-absorption.

A touching insight into how we build our sense of self.

Pub Date: July 1, 2001

ISBN: 0-7432-0600-2

Page Count: 304

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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