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TERRAPIN COVE

More a collection of stories than a novel, but admirable characters and an ample supply of spine-tingling moments leave an...

A historical thriller from debut author Lynch about a vicious murder that serves as the catalyst for a decadeslong family curse.

In the early 19th century on islands in the Chesapeake Bay, Jacob Whalen works hard to make a living while trying to dissociate himself from the name tainted by his father, a thieving murderous picaroon (pirate). But Jacob’s actions on a stormy night may have their own repercussions for his descendants. In the 20th century, young Tig grows up in a family with ties to the Whalens; the connection, among others, isn’t exactly clear. It seems that a family curse has been behind murders, fatal accidents and a festering evil. Though fiction, Lynch’s book is partly based on historical events; as such, the first six chapters, which detail Jacob’s life away from his marauding father, sometimes read like a history lesson more than a narrative—though it ends with a wallop when a storm creates the perfect mood for a massacre. Tig comes across as the story’s focus, but he often shares the spotlight, since most chapters, each with its own title, are their own stories: “Chicken Feed,” for example, is the story of Nick, Tig’s father, working away from his family, with Tig relegated to a supporting role. Still, Tig is a strong, laudable character whom readers see mature from a 12-year-old boy into a grandfather. Perhaps the author’s finest creation is the delicate layer of menace that spreads across the novel. Certain inanimate objects, like a simple statue, are so horrifying that the mere sight of them instills fear. Sherman, another man affected by the curse, has a son—the “boy people talked about”—who dominates the book’s most disturbing moments. In Sherman’s chapter, “The Card Game,” he’s unmistakably frightened by the boy, who imitates animal sounds in lieu of speaking; Sherman even refuses to call him by name. The son’s creepily sudden full-grown appearance in front of Sherman is the book’s most unnerving image. Fortunately, Lynch doesn’t let the loosely connected chapter-stories get out of hand, and she ends it all with a fitting conclusion.

More a collection of stories than a novel, but admirable characters and an ample supply of spine-tingling moments leave an indelible impression.

Pub Date: Oct. 27, 2012

ISBN: 978-1478233879

Page Count: 236

Publisher: CreateSpace

Review Posted Online: April 29, 2013

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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