A light and lively sendup of modern woes.

PENELOPE LEMON

GAME ON!

A recently divorced, financially struggling mom faces online dating challenges when a nude picture of her surfaces on the internet.

You would think things couldn't get worse for Penelope Lemon. Since the timer ran out on her marriage to the biggest nerd in her neck of Virginia, she and her son—bullied and dubbed Fart Boy by his schoolmates—have had to move into her parents' basement. Her job as the top waitress at Coonskins, a so-called roadhouse where bus tours unload patrons to compete for tables with "a once-in-a-lifetime view of the parking lot and the traffic on Lee Highway," could easily be mistaken for one of the circles of hell. For a 40th birthday gift, her mother has bought her a Christian dating app called Divote, where she's begun to receive messages from hunky prospects like BrettCorinthians2:2, but her best friends, Sandy and Rachel, are convinced she'd be better off doing macrame or reading The Kite Runner than wading back into the dating pool. Then something happens to prove their point. While navigating through the porn-site pop-ups that make it so annoying to use her father's ancient computer, she's sucked in by an ad for PaybacksAreHeaven.com. There she finds herself particularly engaged by a photo of a sleepy redhead on a waterbed. Then the memories come flooding back. "Yes, now that she thought of it, she had definitely posed nude while hitting a bong. The bong was green. Her name was Tinkerbell. Recalling all this, Penelope spent a moment wondering if she was really meant for life in the middle class." Majors (Loves Winning Plays, 2012, etc.) writes lines like that for breakfast, so you'll want to stay for lunch.

A light and lively sendup of modern woes.

Pub Date: Aug. 15, 2018

ISBN: 978-0-8071-6951-3

Page Count: 232

Publisher: Louisiana State Univ.

Review Posted Online: May 15, 2018

Kirkus Reviews Issue: June 15, 2018

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There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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