The concept is strong, but the delivery has more than a few glitches. Slow response coupled with incongruous and primitive...
An interactive history lesson about ancient musical instruments.
This cookie-cutter offering is broken into four sections. The brief introduction—painfully slow when the app’s narrator reads it—offers a few foundational facts about music in the ancient world. Next comes “Learn & Listen,” a collection of 11 instruments (two of them human voices) accompanied by text that gives a brief description and a few facts about the instrument. Tapping the active instrument triggers a short demonstration, though the animated movements aren’t synced with the audio. Disappointingly, the harp demo consists of two notes played repeatedly at the same rhythmic interval; little ears and fingers will be begging for a glissando. Furthermore, the little man who demonstrates one of the lyres is plucking it with his finger, but the sound is distinctly bowlike. Once all the instruments have been demonstrated, readers can move to “The Orchestra,” where one or all instruments can be tapped to create unique combinations of sound (playing them all at once creates quite the cacophony). Finally, there’s the “Music Room,” where readers are instructed to “pick an instrument” they can haltingly play while reading facts about related objects displayed on a pedestal.
The concept is strong, but the delivery has more than a few glitches. Slow response coupled with incongruous and primitive features leave this app somewhere in the Middle Ages. (iPad informational app. 4-8)Pub Date: May 11, 2012
ISBN: N/A
Page Count: -
Publisher: Interact Books
Review Posted Online: June 26, 2012
Kirkus Reviews Issue: July 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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