A powerful capsule history of World War II, chilling and reflective in one breath.

WORLD WAR II INTERACTIVE

A visually engaging and highly atmospheric overview of World War II, including the runup and the fallout.

This is an impressively smart historical survey of World War II: condensed, but complex without being labyrinthine; smooth in its delivery without being trivial. It comfortably merges a political overview with snapshots and film of military action, gratifying both those who gain most from the written narrative and those who like a visual prod to the proceedings. The war is broken down into absorbable chunks, starting with World War I’s unfinished business, through the Japanese invasion of China—the story moves fluidly between the European and Pacific theaters—the blitzkrieg and the homefront. It covers the military campaigns from North Africa to Guadalcanal, Stalingrad to the Coral Sea. The user experience is easy and intuitive—well-organized, clean screens are active but not numbingly so, and there are toolbars for hopping about. Visual cues indicate when more material can be accessed by a swipe of the screen. There are plenty of brief film clips, chosen with finesse, and with their sepia tone or grainy, gray look, they send readers back 70 years in a flash. They wed the fleetness of a footnote to the most pungent visual imagery: One moment you are in the cockpit of a Stuka dive bomber, the next you are looking down at the dock of the Nuremberg trials. What gives the story so much texture, though, is the inclusion of less-notorious moments in the war, such as the Russian-Finnish conflict, helping to paint the big picture in all its swarming complexity.

A powerful capsule history of World War II, chilling and reflective in one breath.

Pub Date: Oct. 15, 2011

ISBN: N/A

Page Count: -

Publisher: Internet Design Zone

Review Posted Online: June 12, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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