of creative life behind the former Iron Curtain.
A suspenseful expedition into the sad, complicated world of 1970s Soviet writers, who apparently spent more time
concealing their work to avoid KGB arrest than banging away at typewriters, borrows authenticity and weight from the author’s own seven-year imprisonment for "anti-Soviet agitation and propaganda" (the 1988 memoir Grey is the Color of Hope). A well-known Soviet author dies, leaving behind a completed anti-Soviet manuscript. Ordered to recover the missing samizdat—subversive literature—KGB agent Viktor Stepnych trawls through the lives of Muscovite writers who might be hiding it. His undercover search settles on two main suspects: the reclusive, cat-loving widower Anton Nikolin, children’s author and colleague of the deceased; and young Dima Koretsky, a poet under suspicion ever since a friend’s ambiguous warning to "be careful" was recorded by KGB bugs. Stepnych finds the missing samizdat early in the story, but not before he stumbles on further subversive writings: Nikolin’s lifework, a full-length novel, whose authorship could cost him his life. Stepnych now completely changes direction, mobilizing a network of reluctant informers to trap Nikolin, who is eventually snared and forced to choose between "psychiatric treatment" and going to work for the KGB. This somewhat disorienting about-face in the narrative is compensated for by often charming characterizations of Stepnych’s reluctant informers: a writer, for example, who’s been in the KGB’s grasp since signing an anti-Soviet petition, or a veteran still singing war songs with his WWII comrades. Ratushinskaya’s sympathetic depiction of her characters’ struggles between right and wrong, and between self-respect and familysafety, makes her story a compelling and ultimately hopeful study of people’s actions under extraordinarily difficult circumstances. Charm carries Ratushinskaya’s debut fiction over its structural hurdles, allowing a look into the challenges and paradoxes
of creative life behind the former Iron Curtain.Pub Date: March 15, 2000
ISBN: 0-7195-5685-6
Page Count: 288
Publisher: John Murray Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2000
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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