Though her parents deplore Ruth's ``bohemian'' lifestyle, stage-struck Patty dearly loves her glamorous actress aunt; the two are true friends and confidantes. Then Ruth arrives at Patty's home in Scarsdale with a devastating problem: the complications of diabetes may require amputation of a leg. More than half the book involves the operations, disappointments, and family trauma as Ruth loses one and then the other leg; meanwhile, her husband brutally announces by phone from L.A. that he's left Ruth for her best friend, and Patty plays a minor role in a high-school production of Our Town. Later, Ruth begins her rehabilitation, and Patty gets to play Juliet and wonders whether she's really cut out to be an actress. Much of the emotional action here turns on the family dynamics: Mom obediently gave up a career as a pianist to become a stockbroker; Ruth is a former rebel who denigrates her own success (just soaps and ads); and now doctor Dad opposes Patty's ambition. The parallels are worth exploring; unfortunately, Rosofsky spends too much time on realistic but repetitious dialogue and explanation of Ruth's adult problems, depicts Patty's parents as almost one-dimensionally narrow-minded and authoritarian, skimps on Patty's relationship with friend Helen, whose betrayal is crucial to her theme, and—near the end— thrusts a new career goal (writing) on Patty without really motivating it. There's much of value here, but it hasn't been developed to good advantage. (Fiction. 12-16)
Pub Date: May 15, 1991
ISBN: 0-06-025087-9
Page Count: 215
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1991
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
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