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FILTH

The third and most willfully irreverent novel yet from Scotland’s answer to William Burroughs, Hubert Selby Jr., and, arguably, Howard Stern. Here’s a long howl of hatred and misogyny uttered at full foulmouthed throttle by Bruce Robertson, an Edinburgh police detective whose investigation of a presumably racially motivated murder only intermittently distracts him from routine pursuits of extramarital sex, illegal drugs, and officially sanctioned mayhem. Though he’s nominally a member of the establishment, Bruce has all the qualities one hopes for in an Irvine Welsh character: he’s loud, boorish, xenophobic, racist, sexist, alcoholic, stridently profane, and tormented by flaming eczema (afflicting his not-so-private parts). Oh, and there’s a tapeworm—which occasionally takes over the narrative when Bruce himself isn’t speaking from his gut, as does also estranged wife Carole, a basically normal human who hopes for a reconciliation but doesn’t neglect to take a lover in the meantime. This latter fact is skillfully made crucial to the rather busy plot, which is nicely varied by Bruce’s embattled relationships with disapproving superiors, Racial Awareness sensitivity training, and the willing wives of his fellow officers. The relentlessly confrontational book comes to raucous life in its more abusive and violent scenes (Bruce’s sexual exploitation of a teenaged hooker; a Rabelaisian “holiday” in Amsterdam; a bit of bestiality, involving Bruce’s favorite prostitute and a collie named Angus, that goes hilariously awry).But it founders when Welsh gives his loutish antihero unconvincing moments of reflection (“I feel entrapped by my lust, but when I actually get round to doing it, it just seems so pointless and tedious”), and especially when, in the overcrowded closing pages, the sources of Bruce’s pathology are located in his memories of a grotesque father and of a first love who was killed by lightning. Some marvelous writing, but little of substance that Welsh hasn’t already done better, notably in Trainspotting (1996) and the superb Marabou Stork Nightmares (1996). One wonders if he has written himself out.

Pub Date: Sept. 1, 1998

ISBN: 0-393-31868-0

Page Count: 320

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1998

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A KILLER EDITION

An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.

Too much free time leads a New Hampshire bookseller into yet another case of murder.

Now that Tricia Miles has Pixie Poe and Mr. Everett practically running her bookstore, Haven’t Got a Clue, she finds herself at loose ends. Her wealthy sister, Angelica, who in the guise of Nigela Ricita has invested heavily in making Stoneham a bookish tourist attraction, is entering the amateur competition for the Great Booktown Bake-Off. So Tricia, who’s recently taken up baking as a hobby, decides to join her and spends a lot of time looking for the perfect cupcake recipe. A visit to another bookstore leaves Tricia witnessing a nasty argument between owner Joyce Widman and next-door neighbor Vera Olson over the trimming of tree branches that hang over Joyce’s yard—also overheard by new town police officer Cindy Pearson. After Tricia accepts Joyce’s offer of some produce from her garden, they find Vera skewered by a pitchfork, and when Police Chief Grant Baker arrives, Joyce is his obvious suspect. Ever since Tricia moved to Stoneham, the homicide rate has skyrocketed (Poisoned Pages, 2018, etc.), and her history with Baker is fraught. She’s also become suspicious about the activities at Pets-A-Plenty, the animal shelter where Vera was a dedicated volunteer. Tricia’s offered her expertise to the board, but president Toby Kingston has been less than welcoming. With nothing but baking on her calendar, Tricia has plenty of time to investigate both the murder and her vague suspicions about the shelter. Plenty of small-town friendships and rivalries emerge in her quest for the truth.

An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.

Pub Date: Aug. 13, 2019

ISBN: 978-1-9848-0272-9

Page Count: 320

Publisher: Berkley

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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MURDER ON THE ORIENT EXPRESS

A murder is committed in a stalled transcontinental train in the Balkans, and every passenger has a watertight alibi. But Hercule Poirot finds a way.

  **Note: This classic Agatha Christie mystery was originally published in England as Murder on the Orient Express, but in the United States as Murder in the Calais Coach.  Kirkus reviewed the book in 1934 under the original US title, but we changed the title in our database to the now recognizable title Murder on the Orient Express.  This is the only name now known for the book.  The reason the US publisher, Dodd Mead, did not use the UK title in 1934 was to avoid confusion with the 1932 Graham Greene novel, Orient Express.

 

Pub Date: Feb. 28, 1934

ISBN: 978-0062073495

Page Count: -

Publisher: Dodd, Mead

Review Posted Online: Sept. 20, 2011

Kirkus Reviews Issue: Feb. 1, 1934

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