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THE MESSIAH STONES

A crowd-pleasing if not-especially-enlightening ``spiritual journey,'' Ö la The Celestine Prophecy, is taken by a surprisingly engaging cast of characters. Middle-aged history professor John McGowan, a self-described ``non-believer,'' lives a quiet existence with his wife, Sarah, and their two young sons near the backwoods Pennsylvania college where he teachesuntil the day he receives a certified letter from Washington attorney James Stanton informing him of a sudden ``inheritance'' that he must collect in person at Stanton's D.C. office. The inheritance proves to be a cigar box containing three letters, including one from his father, archaeologist Bill McGowan, who left the States for a dig in Israel when John was five and never returned. The letters document Bill's discovery ofand eventual loss ofthe ``Messiah Stones,'' three carved tablets given to Moses by Jehovah prophesying the final coming of the Messiah. When an overwhelmed John returns home and shows the letters to Sarah, the two decide they have no choice but to fulfill what seems to be their shared destiny: to re-find the stones. They head for Israel with Martha, a colleague of John's and a seeker of spirituality in her own right; once in Jerusalem, they meet up with Avi, a best friend of Bill's who helped him find the stones 40 years before. En route to their final goal, the gang receives encouraging signs from the Messiah in the form of angel-like ``messengers,'' and ultimately hooks up with Simon, who brings them to Bill McGowan's gravesite and helps them all, quite literally, see the light. First-time author Benig may not be the second coming of James Redfield, but this lightweight adventure can be a fun jaunt nonetheless. (First printing of 150,000; $100,000 ad/promo; author tour)

Pub Date: Oct. 1, 1995

ISBN: 0-679-44749-0

Page Count: 288

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1995

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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