A hard-hitting, if unevenly executed, horror tale.
Eerie supernatural events take place in a small-town general store in Thorne’s novel.
The story mostly takes place on and around March 21, 1955, in the town of Hollow River during a torrential thunderstorm. Eight people seek shelter in a store called Beard’s General, and in this conservative, religious town, everyone’s beset by secrets, guilt, and shame. There’s Peter Mayberry, a White church musician grappling with his sexuality and in love with Sam Brooks, a younger Black man. He’s haunted by memories of his devoutly religious mother’s disapproval and extreme physical abuse. Eli Wynn is an adolescent who’s berated for indulging his sexuality, and Jerry Beard faces the same stigma and shame from his own mother, Kathy, as she tries to keep things going at the general store. Mark MacDonald is the local pastor who commits the sin of thievery, stealing from Kathy and the church fund to make ends meet. Donna Gilliam, meanwhile, kills her husband in their home to keep her baby, Theo, safe, and stops at the store on her way to the hospital.Finally, there’s Marilyn, a beautiful, mysterious woman who washes up at the store. Many of the characters grapple with their sins and shame, but one is a gruesome predator, feeding upon their guilt to stay alive. The group must band together or get washed away—both literally and figuratively. Thorne’s book relies on Christian themes of salvation, absolution, and apocalypse to further the plot, with suspense revolving around whether people can overcome their personal demons to face a greater one together. The story ends on a note of reconciliation and peace as well as an afterword reflecting on real-life disasters that inspired the book’s events, such as flooding in Mississippi. His messages regarding judgement, shame, and guilt come through strongly and hit with great force. The prose can be tedious at times, though, with gratuitous, graphic descriptions of sexual violence and an excess of sexual metaphors. Still, Thorne fleshes out each character’s backstory in measured detail, making them problematic and relatable, by turns.
A hard-hitting, if unevenly executed, horror tale.Pub Date: Sept. 21, 2022
ISBN: 978-1-938271-53-3
Page Count: 374
Publisher: Lost Hollow Books
Review Posted Online: Sept. 13, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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