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MY NEIGHBOR IS A DOG

Stylish and understated, this argument for tolerance is a welcome one—just like that saxophone-playing dog

When animals begin to move into the narrator’s apartment building, she welcomes their differences, but her parents are uncomfortable.

This simple story of discrimination and acceptance is recalled in a straightforward fashion. The little girl enjoys the saxophone-playing dog, the elephants who washed everyone’s cars and the gift-bearing crocodile, even though his yellow eyes shine in the dark. Her building “was becoming more and more fun to live in all the time,” she remembers. Her friendly new neighbors find her parents’ standoffishness strange. And so will readers when they notice that the sad human child rides off in a car with two giraffes when they move away. The stylized images—shapes in red, blue and pink on a white background—have no shading and few details. Yet both human and animal neighbors are distinguishable, allowing readers to track them through the events of this subtle parable. The parents’ fears are evident in their barricaded door and many keys. The more tolerant narrator looks forward to returning when she’s grown. First published in Portugal, this has been smoothly translated and will resonate with readers here as well. For the North American audience, the editors have removed all references to smoking in text and pictures; the dog now blows bubbles from his pipe.

Stylish and understated, this argument for tolerance is a welcome one—just like that saxophone-playing dog . (Picture book. 5-9)

Pub Date: April 15, 2013

ISBN: 978-1-926973-68-5

Page Count: 32

Publisher: Owlkids Books

Review Posted Online: Jan. 27, 2013

Kirkus Reviews Issue: Feb. 15, 2013

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 10, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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