A fascinating, frustrating posthumous collection of short tales (previously unavailable in English) from the great Italian writer (1923-85), assembled and introduced by his widow, Esther Calvino, and vigorously translated by English novelist and Italophile Parks. A series of "Fables and Stories," written between 1943 and 1958, includes such comic dramatizations of intellectual and metaphysical concepts as "Making Do," which ingeniously expresses the difficulties of imposing freedom on a population accustomed to tyranny, and "A General in the Library," in which a military task force investigates the allegation "that books contained opinions hostile to military prestige"—with embarrassing unforeseen results. Here and there, Calvino overexplicitly discloses his stories' morals (it should be remembered that many of this volume's inclusions were left uncompleted at his death). Still, the better pieces won't disappoint Calvino's many admirers. The marvelous title story, for example, reveals to a small boy helping his mother clean office buildings at night the hidden truth about the bogus economic stability of the entire planet. And the unfinished "The Queen's Necklace," a terrific melodrama developed from the fortunes of the story's title object, shimmers with the promise of witty anatomy of the several social levels occupied by its losers and finders. The later "Tales and Dialogues," dating from 1968 to 1984, are comparatively slow-paced and theme-ridden, including pieces written to order for IBM's computer operations department and, of all things, a Japanese distillery. It's make-work stuff, only infrequently showing Calvino in top form. The best selections are "Henry Ford," an unproduced television script in which Calvino simultaneously presents both a stalwart defense of the great industrialist's capitalistic and paternalistic principles and some sly mockery of them, and "Beheading the Heads," a fantasy about periodic executions of elected public officials that offers a classic example of Calvino's ability to transmute concept into hauntingly vivid fiction. A last hurrah from one of the modern masters. Middling Calvino but, for all that, a welcome gift we would not willingly have done without.
Pub Date: Nov. 28, 1995
ISBN: 0-679-44205-7
Page Count: 288
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1995
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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