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AESTHETICS

A MEMOIR

Essential for fans but fascinating for those new to Brunetti’s work as well.

A handsomely designed encapsulation of the artistic life of a unique American illustrator.

Born in small-town Italy and raised in working-class Chicago, Brunetti (Cartooning: Philosophy and Practice, 2011, etc.) has likely reached his widest readership with a series of covers for New Yorker (most of them featuring multiple figures with big, round heads), though his work also encompasses strips in an alternative weekly, book covers, work for smaller journals and, most surprisingly, an unsuccessful attempt to become a successor to the late Ernie Bushmiller’s “Nancy” strip (oft-ridiculed, but the round heads suggest a link). As the book traces the artist’s development (though not, of course, chronologically), it only occasionally interrupts the parade of images with words that seem like little more than captions. Yet that annotation is crucial and illuminating, revealing an artist whose consciousness is as distinctive as his aesthetics, partly the result of “terrible” eyesight (“I have tried to convert this severe limitation into an idiosyncrasy. A pre-derangement of the senses.”) but more from a deep sense of worthlessness: “Typically, I loathe my strips nearly as much as I loathe myself.” The reflections force readers to consider Brunetti’s art through fresh eyes (though not the author’s bad eyes) and to understand the interrelationship among his aesthetic, his perception and his life. It also details a progression from a child’s scrawl to the three-dimensional work (which he resists calling sculpture) to which he has turned in depression. Like any good Italian boy, he also displays an obsession with (pre-Disney) Pinocchio.

Essential for fans but fascinating for those new to Brunetti’s work as well.

Pub Date: May 28, 2013

ISBN: 978-0-300-18440-2

Page Count: 120

Publisher: Yale Univ.

Review Posted Online: April 14, 2013

Kirkus Reviews Issue: May 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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