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The Incompetent Cook

A diverting travelogue with some admirable writing but little arc or narrative theme beyond assorted recipes.

World traveler Idris Granger doesn’t cook well, but in Thomas’ collection of short stories, he collects recipes for different delicious dishes everywhere he goes.

Over the course of these 10 tales, Granger sees parts of the world that most people wouldn’t think of visiting. Each story is accompanied by a recipe Granger learned from one of the other characters, who range from the daughter of an Irish pub owner to a would-be kidnapper in Australia to Granger’s roommate in South Africa. The stories are either full of action or personal tension. For instance, working in a mining camp in Tasu, British Columbia, Granger discovers a cook who abuses his assistant, and the story centers around what the rest of the crew do about it. Granger leaves with a recipe for fish pie. He gets a recipe for seafood chowder from his friend Dan, a “fugitive recovery agent”—aka bounty hunter—in Italy. While hunting pigs in Australia, Granger and a boxing champion come across kidnappers, one of whom gets a lighter sentence for being coerced into his crime and for having a great recipe for lamb shanks. Tales like the latter strain credulity to the breaking point, and at times, the recipe element seems forced into the story for the sake of the theme. Only the most dedicated gourmand would accept that a kidnapper could cook meat well enough for it to factor into a legal judgment. Thomas does have an eye for description, though. His characters frequently feel real, and his settings capture danger and beauty, whether at a camp in Israel or in a sprawling countryside. What readers don’t get is any real sense of who Granger is, what he might believe or why food is so important to him. He’s an empty vessel, a stand-in for the reader, often a mere spectator. He simply drifts, leaving the settings and supporting characters to do the heavy lifting.

A diverting travelogue with some admirable writing but little arc or narrative theme beyond assorted recipes.    

Pub Date: Aug. 7, 2013

ISBN: 978-1477580301

Page Count: 324

Publisher: CreateSpace

Review Posted Online: Oct. 17, 2013

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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